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Hassam Childe:     more books (100)

Youth in twelve centuries by Childe Hassam, Mary Elizabeth Blake, 2010-08-30 Spaziergänge durch das alte New York: Historische Gemälde, Postkarten, Fotografien und Stadtpläne by Frederick Childe Hassam, The Avenue Of The Allies And Victory (1918) by Alfred Noyes, 2010-05-23 In No-man's Land; a wonder story by Elbridge Streeter Brooks, Childe Hassam, 2010-05-14 An Island Garden by Celia Thaxter, 2002-03-01 Childe Hassam Pa by David Park Curry, 1920-01 Childe Hassam:a retrospective exhibition by Childe Hassam, 1965 Childe Hassam 1859 - 1935 by Childe, Stuart P. Feld (curate) Hassam, 1981 Childe Hassam, N.A.: American Etchers Vol. III (American Etchers Series) by No Author Noted, 1929 Handbook of Etchings by Childe Hassam, N. A. 1883-1933 by Paula; Childe Hassam Eliasoph, 1933 Childe Hassam: an American Impressionist by Ny: Nov. 2 To Dec. 15, 1999, One Other Location Adelson Galleries, 1999-01-01 CHILDE HASSAM by Donelson F Hoopes, 1982 Childe Hassam, 1859-1935 by Ny: Feb. 18 To Mar. 7, 1964 Hirschl & Adler, 1964-01-01 94 Prints By Childe Hassam. by Childe. Selected & Introduced By Joseph S. Czestochowski. Hassam, 1980-01-01

lists with details

21. Childe Hassam (1859 - 1935) Artwork Images, Exhibitions, Reviews
    CGFA Childe Hassam Childe Hassam Amazon.com Books Childe Hassam Impressionist Artist Childe Hassam Hassam-Childe Amazon.com Books Childe Hassam (Famous Artists Series)  
    http://wwar.com/masters/h/hassam-childe.html

22. Hassam, Childe Encyclopedia Topics | Reference.com
    Copy paste this link to your blog or website to reference this page  
    http://www.reference.com/browse/Hassam, Childe

23. Art/Museums: Childe Hassam: American Impressionist At The Metropolitan Museum Of
    Review of the artist and his work by Carter B. Horsley based on the June 10 to September 12, 2004 New York exhibition. From The City Review.  
    http://www.thecityreview.com/hassam.html
    
    Extractions: Childe Hassam American Impressionist Metropolitan Museum of Art By Carter B. Horsley Hassam did not like to be said to be influenced by Monet, but there can be little question that the bulk of his oeuvre centers about the Impressionist style. One should also caution that French Impressionists did not have as great an impact on American painters as James Abbott McNeil Whistler and John Singer Sargent, two great expatriate American artists whose bravura and painterliness in their best works are incomparable. Where does Hassam stand artistically, then, among his American colleagues? Whistler and Sargent, of course, hold their own with the French Impressionists as great masters of international renown. Chase produced some very fine and flamboyant masterworks. One thinks of his beach scene with brightly colored umbrellas, his foggy pier scenes, and his large interior scenes rather than his less exciting Shinnecock landscapes. Less influential and less consistent, Twachtman, nevertheless, produced the most memorable and original images of all the American Impressionists. Dewing and Inness were highly consistent and produced many works of great beauty, certainly more than Chase, or Twachtman, or Hassam, yet their work is often not classified as Impressionist.

24. Hassam, Childe
    R. H. Love Gallery specializing in American art ranging in date from the Colonial period to the mid 20th century for over forty years.  
    http://www.rhlovegalleries.com/site/epage/19279_472.htm
    
    Extractions: MM_preloadImages('/site/template/assets/home_template_rhlove_472/images/home_on.gif','/site/template/assets/home_template_rhlove_472/images/artists_on.gif','/site/template/assets/home_template_rhlove_472/images/about_on.gif','/site/template/assets/home_template_rhlove_472/images/inventory_on.gif','/site/template/assets/home_template_rhlove_472/images/services_on.gif','/site/template/assets/home_template_rhlove_472/images/acquisitions_on.gif','/site/template/assets/home_template_rhlove_472/images/publications_on.gif','/site/template/assets/home_template_rhlove_472/images/contact_on.gif'); Back to Artists Back to Impressionism About Childe Hassam Frederick Childe Hassam, perhaps the most famous American impressionist after *Mary Cassatt, was the son of Frederick Fitch Hassam and Rosa Hathorn Hassam, who was related to Nathaniel Hawthorne. Frederick, a cutler and collector of American antiques, lost his business in a fire in November 1872 and Childe Hassam was forced to leave high school early to seek employment. After a few weeks in an accounting position, he worked for a wood engraver named George E. Johnston. Hassam appeared as "draughtsman" in the Boston city directory (1879-1881), and in 1882 he was listed as "artist." His earliest endeavors were illustrations for children’s books, and for periodicals: Harper’s, The Century and Scribner’s. Hassam made an important statement at this time on American art: The American Section in the Universal has convinced me for ever of the capability of Americans to claim a school. Inness, Whistler, Sargent and plenty of men just as well able to cope in their own chosen line with anything done over here. But as long as a crowd of apostates from America who have more money than brains continue to go to France to study for such a long time, sometimes so long that they finish by staying there altogether, there will be little growth of an American school.

25. Hassam, Childe - Painting Art
    painting resourses guide Biography of the artist presented by Jan and Warren Adelson of the Adelson Galleries, Inc.  
    http://artecristiano.blogcindario.com/2007/05/01001-hassam-childe.html

26. Paramour Fine Arts - List Of Works For Childe Hassam
    Nymph of the Garden Etching, 1923 4 1/2 in. x 11 5/8 in. (114 mm x 295 mm) No stated edition Catalogue Reference Clayton 216 Unframed  
    http://www.paramourfinearts.com/list_works.asp?id=651

27. Croker Art Museum
    Article by Janice T. Driesbach provides an overview of An Outdoor Portrait of Miss Weir , painted in 1909. December, 1998.  
    http://www.tfaoi.com/newsmu/nmus4e.htm
    
    Extractions: Sacramento, California Childe Hassam in the Crocker Art Museum Collection By Crocker Curator and Acting Director Janice T. Driesbach December, 1998 Childe Hassam, An Outdoor Portrait of Miss Weir , 1909, oil on canvas, 38 x 38 inches, Crocker Art Museum Collection, gift of Mr. and Mrs. Vern C. Jones and other generous donors. S elections from the collection now on view include a painting and a watercolor by Childe Hassam (1859-1935), America's best-known Impressionist painter. It is fitting that the artist be represented by these examples, as he worked in both media throughout his career. An Outdoor Portrait of Miss Weir , painted in 1909, documents Hassam's mature Impressionist style, and acknowledges his repeated visits to the Isles of Shoals, where America's first offshore resort was established off the coast of New Hampshire. Perhaps best known as a painter of urban scenes, Hassam recorded many of his outdoor subjects on extended stays in Europe or on visits to artists' colonies throughout New England. Soon after returning from his first trip to Europe in 1883, Hassam traveled to Appledore, one of the Isles of Shoals, where Celia Thaxter (1835 -1894) presided over a coterie of artists, writers, and musicians who gathered there each summer. Thaxter was a poet and the magnificent garden she maintained was the subject of her most enduring work

28. Childe Hassam: Prints And Drawings From The Collection
    Overview of the October 4, 2003 through February 8, 2004 Scaife Galleries exhibit. Source material provided by The Carnegie Museum of Art.  
    http://www.tfaoi.com/aa/4aa/4aa178.htm
    
    Extractions: Editor's note: The Carnegie Museum of Art provided source material to Resource Library Magazine for the following article or essay. If you have questions or comments regarding the source material, please contact the Carnegie Museum of Art directly through either this phone number or web address: Childe Hassam: Prints and Drawings from the Collection T he exhibition Childe Hassam: Prints and Drawings from the Collection opening coincided with the reopening of the newly renovated Scaife Galleries on October 4, 2003. The show is presented in the new Works on Paper Gallery and is on view through February 8, 2004. The Works on Paper Galley is prominently located at the entrance to the galleries and will be used to present changing exhibitions of works from the museum's fine collection of drawings, prints and photographs. Linda Batis, associate curator of fine arts, said "The drawings on view in the exhibition reveal Hassam's natural affinity for the graphic arts as a way to explore color and pictorial structure. They provide insight into a fundamental fact about Hassam's work. He drew and painted what he saw before him." Hassam enjoyed a long relationship with Carnegie Museum of Art and John Beatty, the museum's first director. Between 1896 and 1935, Hassam exhibited more than 90 paintings at several

29. Hassam, Childe - Hutchinson Encyclopedia Article About Hassam, Childe
    US Impressionist painter and printmaker. He studied in Paris 1886–89 and later became one of the members of ‘the Ten’, a group of American Impressionists who exhibited  
    http://encyclopedia.farlex.com/Hassam, Childe

30. "A Pretty Fine Old Town": Childe Hassam In Old Lyme
    Article provides detailed description of the artist s June 5 through September 26, 2004 exhibit at The Florence Griswold Museum.  
    http://www.tfaoi.com/aa/4aa/4aa442.htm
    
    Extractions: Editor's note: The Florence Griswold Museum provided source material to Resource Library Magazine for the following article or essay. If you have questions or comments regarding the source material, please contact the Florence Griswold Museum directly through either this phone number or web address: "A Pretty Fine Old Town": Childe Hassam in Old Lyme T he Florence Griswold Museum announces the opening of an exhibition entitled "'A Pretty Fine Old Town': Childe Hassam in Old Lyme" on June 5 and continuing through September 26, 2004. Childe Hassam (1858-1935) is widely recognized as the preeminent American Impressionist painter. His arrival at Florence Griswold's Old Lyme boarding house during the summer of 1903 introduced the bright palette and broken brushwork of Impressionism to the Lyme Art Colony. That summer was the start of a long and fruitful relationship that Hassam had with other artists there and with the landscape of Lyme. This new exhibition features over twenty Hassam paintings from museums and private collections and is designed to give a picture of the artist's pivotal contribution to the Lyme Art Colony as a leading center of Impressionism. Support for this exhibition has been received from Xerox and from the Indian Point Foundation. (right: Childe Hassam

31. Hassam, Childe Oil Paintings Reproductions – Page 1
    Hassam, Childe – page 1 – all Hassam, Childe paintings reproductions are handpainted with oil on canvas .Buy Hassam, Childe oil paintings in any size .  
    http://www.angel-art-house.com/oil_paintings.aspx?SortID=1&ID=175

32. Childe Hassam, American Impressionist
    Article referencing the June 10 through September 12, 2004 exhibit at The Metropolitan Museum of Art.  
    http://www.tfaoi.com/aa/4aa/4aa209.htm
    
    Extractions: Editor's note: The Metropolitan Museum of Art provided source material to Resource Library Magazine for the following article or essay. If you have questions or comments regarding the source material, please contact The Metropolitan Museum of Art directly through either this phone number or web address: Childe Hassam, American Impressionist June 10 - September 12, 2004 C hilde Hassam (1859-1935), a pioneer of American Impressionism and perhaps its most devoted, prolific, and successful practitioner, was born in Dorchester, Massachusetts (now part of Boston), into a family descended from settlers of the Massachusetts Bay Colony. Equally adept at capturing the charms of country retreats and the excitement of modern cities, Hassam became the foremost chronicler of New York City at the turn of the century. In our day, he is best known for his depictions of flag-draped Fifth Avenue during World War I. ( right: Childe Hassam (1859-1935), The South Ledges, Appledore, 1913, oil on canvas, 34-1/4 x 36-1/8 inches (87.0 x 91.8 cm), Smithsonian American Art Museum, Gift of John Gellatly) This spring, The Metropolitan Museum of Art will offer

33. Hassam, Childe
    Hassam, Childe Encyclopedia article; The Columbia Encyclopedia, Sixth Edition, 2004. Read Hassam, Childe at Questia library.  
    http://www.questia.com/read/101248415
    
    Extractions: questia.Dictionary.domain = 'questia'; Letter A Letter B Letter C Letter D ... Letter Z addthis_url = 'http://www.questia.com/read/101248415'; addthis_title = 'Hassam, Childe'; addthis_pub = 'ahanin'; This feature allows you to create and manage separate folders for your different research projects. To view markups for a different project, make that project your current project. This feature allows you to save a link to the publication you are reading or view all the publications you have put on your bookshelf. This feature allows you to save a link to the page you are reading, which you can later return to from Projects. This feature allows you to highlight words or phrases on the publication page you are reading. This feature allows you to save a note you write on the publication page you are reading. This feature allows you to create a citation to the page you are reading that you can paste into your paper. Highlight a passage to include that passage as a quotation. This feature allows you to save a reference to a publication you are reading for your bibliography or generate a bibliography you can paste into your paper.

34. Childe Hassam And Connecticut Impressionism
    Overview of three Connecticut museum exhibitions which coincided with the retrospective at the Metropolitan Museum of Art in New York in the summer of 2004.  
    http://www.tfaoi.com/aa/4aa/4aa253.htm
    
    Extractions: Editor's note: The Wadsworth Atheneum Museum of Art provided source material to Resource Library Magazine for the following article or essay. If you have questions or comments regarding the source material, please contact the Wadsworth Atheneum Museum of Art directly through either this phone number or web address: Childe Hassam and Connecticut Impressionism T o coincide with the Childe Hassam retrospective at the Metropolitan Museum of Art in New York in the summer of 2004, three Connecticut museums are presenting exhibitions on this versatile American Impressionist, who was an influential figure in the art colonies of Connecticut for more than 20 years at the turn of the last century. The Bush-Holley Historic Site in the Cos Cob section of Greenwich, the Florence Griswold Museum in Old Lyme, and the Wadsworth Atheneum Museum of Art in Hartford are focusing on different aspects of Hassam's career and his longtime presence in Connecticut. Exhibition details follow: Childe Hassam and Connecticut Impressionism June 11 - October 3 Wadsworth Atheneum Museum of Art Works by Henry Ward Ranger, John Henry Twachtman, Willard Metcalf, Charles H. Davis, and Emil Carlsen, shown alongside paintings and etchings by Hassam, reveal their stylistic shift from the muted tonalism of the Barbizon school to Impressionism. Comparisons between Hassam's idealized images of women in rural and urban interiors are also highlighted, such as

35. Childs Gallery: Hassam, Childe: Available Works
    Childs Gallery 169 Newbury Street - Boston, MA 02116 - 617.266.1108 - info@childsgallery.com  
    http://www.childsgallery.com/artist.php?artist_id=214

36. Childe Hassam: Impressionist In The West
    Article provides details about the Portland Art Museum exhibition.(December 11, 2004 - March 6, 2005).  
    http://www.tfaoi.com/aa/5aa/5aa93.htm
    
    Extractions: Editor's note: The Portland Art Museum provided source material to Resource Library for the following article or essay. If you have questions or comments regarding the source material, please contact the Portland Art Museum directly through either this phone number or web address: Childe Hassam: Impressionist in the West December 11, 2004 - March 6, 2005 I n 1904 and 1908, leading American Impressionist Childe Hassam visited Oregon and the surrounding region, to try his hand at capturing the visual essence of the exhilarating terrain of the West. Traveling throughout the state and into Washington and Idaho, Hassam painted over 60 landscapes, seascapes, portraits, and still lifes. Organized by the Portland Art Museum, the exhibition Childe Hassam: Impressionist in the West brings together for the first time as a group paintings from these two trips, as well as paintings from Hassam's larger body of work. Also on view are works by Portland Art Museum founder, C.E.S. Wood, the lawyer, writer, art collector, and fellow painter who convinced Hassam to come west and explore the beauty of the region, often painting side-by-side with him. The American Impressionist Childe Hassam is undoubtedly one of the best loved of American artists. Hassam was a highly prolific artist with an extensive oeuvre encompassing prints, drawings, and both watercolor and oil paintings. Despite the number of exhibitions and publications devoted to him, there are still rich veins of material to uncover and explore within this large body of work. One such untapped group of images is the assemblage of paintings he produced during his trips west in the early 1900s; most notably those he created during his extended sojourns in Oregon in 1904 and 1908.

37. Hassam: Allies Day, May 1917
    Hassam, Childe Allies Day, May 1917 1917 Oil on canvas 36 3/4 x 30 1/4 in. (93.4 x 76.8 cm) National Gallery of Art, Washington  
    http://www.artchive.com/artchive/H/hassam/allies_day.jpg.html

38. American Impressions: Prints & Paintings By Childe Hassam
    Provides information on the Asheville Art Museum exhibition(June 17 - September 25, 2005)and a short biography of the artist.  
    http://www.tfaoi.com/aa/6aa/6aa51.htm
    
    Extractions: Editor's note: The Asheville Art Museum provided source material to Resource Library for the following article or essay. If you have questions or comments regarding the source material, please contact the Asheville Art Museum directly through either this phone number or web address: (above: Childe Hassam, The Old Elm , ca. 1916, oil on canvas, 29 x 37 inches, Collection of the Asheville Art Museum) T he Asheville Art Museum is presenting an exhibition of the work of Childe Hassam, (1859 - 1935), one of the most prominent American Impressionist artists. This exhibition is a unique opportunity for the community to view the work of one of the great American painters. The works in this exhibition will likely never be seen together again. (right: Childe Hassam, Anna , ca. 1920, etching, 4.875 x 3.375 inches. Courtesy of the Memorial Art Gallery of the University of Rochester) American Impressions introduces a promised gift made to the Asheville Art Museum's permanent collection by longtime supporter of the arts Margaret Butler. Mrs. Butler has generously gifted the Museum Childe Hassam's painting The Old Elm, 1916

39. Hassam: Winter In Union Square
    Hassam, Childe Winter in Union Square 1894 Oil on canvas 18 1/4 x 18 in. (46.4 x 45.7 cm) The Metropolitan Museum of Art, New York  
    http://www.artchive.com/artchive/h/hassam/union_square.jpg.html

40. Childe Hassam: Prints Of New England And Long Island; Essay By Vincenza Uccello
    Essay and introduction from the catalogue for the exhibition, by Vincenza Uccello, M.F.A. Reprinted with permission of the author and Saint Joseph College.  
    http://www.tfaoi.com/aa/3aa/3aa108.htm
    
    Extractions: Saint Joseph College Gallery West Hartford, CT http://www.sjc.edu/ The following essay is the Introduction, by Vincenza Uccello, M.F.A., Director of Collections, Saint Joseph College Gallery, from the catalogue for the exhibition titled "Childe Hassam: Prints of New England and Long Island," held at the Gallery in March, 1990. This essay is reprinted with permission of the author and Saint Joseph College. In 1874 a group of French artists boycotting the official Paris Salon presented their own exhibition of paintings. It was a momentous event in the history of art - the official recognition of a new plein-air style in painting. What these artists had in common was a deep involvement with rendering the ever-changing qualities of light and atmosphere in different hours of the day, different seasons and different weather conditions. Each painter experimented and devised methods and techniques of broken color and varying brush strokes to render the constant phenomenon of change relative to, and as an expression of, his own visual perception and artistic personality. The immediate reaction by the French public and critics alike was that of shock and derision. The movement was dubbed Impressionism after a painting by Monet entitled Impression, Sunrise

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