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Stevens Wallace:     more books (99)

Wallace Stevens: A Descriptive Bibliography (Pittsburgh series in bibliography) by Jerome Melvin Edelstein, 1974-03 Early Stevens: The Nietzschean Intertext by Bobby J. Leggett, 1992-01-01 Bergson and American Culture: The Worlds of Willa Cather and Wallace Stevens by Tom Quirk, 1990-01-01 Wallace Stevens & the Feminine Wallace Stevens: An Introduction to the Poetry (Columbia introductions to twentieth-century American poetry) by Susan B. Weston, 1977-07 WALLACE STEVENS AND THE LIMITS OF READING AND WRITING by BART EECKHOUT, 2002-12-11 Wallace Stevens The Making of Harmonium by Robert Buttel, 1967-01-01 Secretaries of the Moon: The Letters of Wallace Stevens and José Rodriguez Feo Teaching Wallace Stevens: Practical Essays (Tennessee Studies in Literature) by John N. Serio, 1994-07 Nothing That Is: The Structure of Consciousness in the Poetry of Wallace Stevens by Daniel Andersson, 2006-07-31 Wallace Stevens: A Celebration by Robert Buttel, Frank A. Doggett, 1980-02 The Violence Within / The Violence Without: Wallace Stevens and the Emergence of a Revolutionary Poetics by Jacqueline Vaught Brogan, 2003-08-18 Souvenirs and Prophecies: The Young Wallace Stevens by Holly Bright Stevens, 1977-06 Wallace Stevens' Supreme Fiction: A New Romanticism by Joseph Carroll, 1988-01

lists with details

81. Disillusionment Of Ten O Clock
    From Harmonium (1923)  
    http://www.palace.net/~llama/poetry/disten
    
    Extractions: Disillusionment of Ten O'Clock The houses are haunted By white night-gowns. None are green, Or purple with green rings, Or green with yellow rings, Or yellow with blue rings. None of them are strange, With socks of lace And beaded ceintures. People are not going To dream of baboons and periwinkles. Only, here and there, an old sailor, Drunk and asleep in his boots, Catches Tigers In red weather.

82. Idea Of Order At Key West, The
    From Ideas of Order (1936)  
    http://www.palace.net/~llama/poetry/order
    
    Extractions: The Idea of Order at Key West She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask. No more was she. The song and water were not medleyed sound Even if what she sang was what she heard, Since what she sang was uttered word by word. It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard. For she was the maker of the song she sang. The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing. Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang. If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone. But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea. It was her voice that made The sky acutest at its vanishing. She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Then we, As we beheld her striding there alone, Knew that there was never a world for her Except the one she sang and, singing, made. Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As the night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night. Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of sea Words of the fragrant portals, dimly-starred, And of ourselves and our origins, In ghostlier demarcations, keener sounds.

83. Stevens's "Not Ideas"
    From Ideas of Order (1936)  
    http://www.writing.upenn.edu/~afilreis/88/not-ideas.html

84. "Of Modern Poetry," Wallace Stevens
    Consists of the text from the poem.  
    http://www.writing.upenn.edu/~afilreis/88/of-modern-poetry.html

85. The Wondering Minstrels: The House Was Quiet And The World Was Calm -- Wallace S
    From Transport To Summer (1947).  
    http://www.cs.rice.edu/~ssiyer/minstrels/poems/1249.html

86. Gedichte Von Wallace Stevens In Deutscher Übersetzung
    Kleine Sammlung von Wallace Stevens (1879-1955) in deutscher bersetzung.  
    http://www.alb-neckar-schwarzwald.de/stevens/stevens.html

87. NEUE SIRENE - Wallace Stevens
    Gedicht von Wallace Stevens auf Englisch und in deutscher bersetzung von Hans Joachim Lechler.  
    http://www.neuesirene.de/7steven.htm

88. Wallace Stevens, Une Approche Française
    Traduction in dite d une large partie de l uvre po tique de Wallace Stevens, essai et bibliograhie. Traduction in dite et int grale de l dition de 1855 de Leaves of Grass de Walt Whitman. uvres personnelles de Gilles Mourier.  
    http://mapage.noos.fr/gmurer0001/
    
    Extractions: «C'est ce que vous ne comprendrez pas qui est le plus beau, c'est ce qui est le plus long qui est le plus intéressant et c'est ce que vous ne trouvez pas amusant qui est le plus drôle.» Paul Claudel, Le Soulier de satin Ce fas c icule de pages, intensément personnelles et – au contraire de ce que l'on rencontre habituellement sur la T o ile – excessivement textuelles, n'a d'autre but que de satisfaire les démangeaisons, de diverses natures, de son auteur (et, si possible, de renforcer la trop maigre présence de la langue française dans l' e space hypertextuel) et ne saurait de ce fait convenablement servir d'arrêt-pipi sur les autoroutes de l'information. La cybertoile ou hypertoile étant en effet encore un outil à peu p rès public, j'ai sans vergogne saisi l'occasion qu'elle m'offre d'y seriner les opinions (tranchées) et les idées (bis c ornues) que mes proches et amis sont fatigués de m'entendre ressasse r . Je comprends parfaitement que vous puissiez n'avoir aucune envie de les parcourir ou les connaître. Nul ne force ici la main

89. IMS: Wallace Stevens, HarperAudio
    Audio clips of Wallace Stevens reading several poems, including The Idea of Order at Key West, The Poem that Took the Place of a Mountain, and Vacancy in the Park. The poems are not individually announced.  
    http://town.hall.org/Archives/radio/IMS/HarperAudio/021594_harp_ITH.html
    
    Extractions: Wallace Stevens reads his own poetry. Stevens was born in 1879, and these recordings were made shortly before his death in 1955. Although he published poetry as early as 1914, Stevens did not receive widespread recognition until the publication of his collected poems in 1954, for which he was awarded the Pulitzer Prize. Stevens' poems focus on the sound of language, on obscure vocabulary, and on imaginative images. Part 1 .au format (3 Mb), .gsm format (0.8 Mb), .ra format (0.4 Mb). In this section, Stevens reads "To an Old Philosopher in Rome," which combines religious and secular images. Rebroadcast of HarperAudio is made possible by the Internet Multicasting Service and our sponsors. Description of available audio formats Comments or suggestions to IMS Internet Multicasting Service Home Page

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