- The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte (Clarendon Paperbacks) by Andrew Steptoe, 1990-11-08
- Carmen (The Black Dog Opera Library)
- Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (Musical Meaning and Interpretation) by Naomi André, 2006-01-25
- Aida (The Black Dog Opera Library)
- Debussy's Pelleas et Melisande: a guide to the opera with musical examples from the score by Lawrence Gilman, 2010-07-29
- The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux's Novel and its Progeny by Jerrold E. Hogle, 2002-05-03
- Broadway Stories: A Backstage Journey Through Musical Theatre by Marty Bell, 1993-11
- When Opera Meets Film (Cambridge Studies in Opera) by Marcia J. Citron, 2010-07-05
- Scripts: Librettos for Operas and Other Musical Works by James Reaney, 2004-11
- The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century by Anselm Gerhard, 2000-06-15
- Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome by Stefanie Tcharos, 2011-02-28
- The Impresario's Ten Commandments: Continental Recruitment for Italian Opera in London 1763-64 (Royal Musical Association Monographs, 6) (Royal Musical Association Monographs, 6) by Curtis Price, Judith Milhous, et all 1992-01
- Pfitzner's Palestrina: The 'Musical Legend' and its Background (Other Operas) by Owen Toller, 1997-01-01
- Musical Symbolism in the Operas of Debussy and Bartok by Elliott Antokoletz, 2007-12-17
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