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Schoenberg Arnold:     more books (101)

Style and Idea: Selected Writings, 60th Anniversary Edition by Arnold Schoenberg, 2010-10-13 Schoenberg: Pierrot Lunaire (Cambridge Music Handbooks) by Jonathan Dunsby, 1992-09-25 Arnold Schoenberg by Charles Rosen, 1996-09-01 Fundamentals of Musical Composition by Arnold Schoenberg, 1999-03-15 Theory of Harmony: 100th Anniversary Edition by Arnold Schoenberg, 2010-10-13 Arnold Schoenberg's Journey by Allen Shawn, 2003-05-30 Structural Functions of Harmony by Arnold Schoenberg, 1954 Preliminary Exercises in Counterpoint by Arnold Schoenberg, 1988-11 Style and Idea by Arnold Schoenberg, 1950-01-01 Arnold Schoenberg Correspondence by Egbert M. Ennulat, 1991-06-28 Music Theory And Analysis in the Writings of Arnold Schoenberg (1874–1951) by Norton Dudeque, 2006-01 Arnold Schoenberg: The Composer as Jew (Clarendon Paperbacks) by Alexander L. Ringer, 1993-05-20 Sprechstimme In Arnold Schoenberg's Pierrot Lunaire: A Study of Vocal Performance Practice by Aidan Soder, 2008-04-30 A Schoenberg Reader: Documents of a life by Joseph Auner, 2003-10-01

lists with details

1. Schoenberg, Arnold (Schenker Documents Online)
   Arnold Schoenberg Sch nberg (born Vienna, Sept 13, 1874; died Los Angeles, July 13, 1951), Austrian composer, earliest representative of Viennese musical modernism, creator  
   http://mt.ccnmtl.columbia.edu/schenker/profile/person/schoenberg_arnold.html
   
   Extractions: Main Arnold Schoenberg [Schönberg] (born Vienna, Sept 13, 1874; died Los Angeles, July 13, 1951), Austrian composer, earliest representative of Viennese musical modernism, creator of the twelve-tone method of composition, teacher of Alban Berg, Anton von Webern, and other composers in Vienna, Berlin, and, from 1934 on, in the USA. Relations between Schoenberg and Schenker Although Schoenberg's musical style had its origins partly in Brahms and the Viennese Classical composers, Schenker became increasingly antagonist toward him from around 1910 because he saw him as advancing the stylistic innovations of Richard Strauss and Gustav Mahler, abandoning the Classical tonal tradition, and in the realm of theory espousing developing variation over repetition. Contact between Schenker and Schoenberg was made first by the latter on September 12, 1903, after he had been engaged by Busoni to orchestrate Schenker's Syrische Tänze für Pianoforte zu 4 Händen (Vienna: Weinberger, c.1899). The orchestration was not to Schenker's taste because it "suggests the style of Richard Strauss," but he evidently approved it, for the resulting performance took place on November 5, 1903. Schoenberg subsequently tried between November 10, 1903 and early 1904 to enlist Schenker's participation in forming his Vereinigung schaffender Tonkünstler. Communications between the two continued into 1907, when Schoenberg drew Schenker's attention to two concerts of his music (both of which Schenker attended and reported in his diary) and invited him to one of music by his pupils. The two evidently met several times, and were apparently on cordial terms until around 1910, when their relationship deteriorated.

2. Arnold Schoenberg - Wikipedia, The Free Encyclopedia
   GreissleSch nberg, Arnold, and Nancy Bogen. n.d. Arnold Sch nberg’s European Family (e-book). The Lark Ascending, Inc. (Accessed 2 May 2010)  
   http://en.wikipedia.org/wiki/Arnold_Schoenberg
   
   Extractions: From Wikipedia, the free encyclopedia Jump to: navigation search Arnold Schoenberg, Los Angeles, 1948 Arnold Schoenberg [ˈaːʁnɔlt ˈʃøːnbɛʁk] ) (13 September 1874 – 13 July 1951) was an Austrian and later American composer , associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School . He used the spelling Schönberg until after his move to the United States in 1934 (Steinberg 1995, 463), whereupon he altered it to Schoenberg "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking or, in some cases, passionately reacted against it. During the rise of the Nazi party in Austria, his music was labeled, alongside jazz , as degenerate art Schoenberg was widely known early in his career for his success in simultaneously extending the traditionally opposed German Romantic styles of both Brahms and Wagner . Later, his name would come to personify pioneering innovations in

3. Schott Music - Schoenberg, Arnold - Profile
   Profile text / short biography for Arnold Schoenberg, composer, Born September 13th, 1874, Died July 13th, 1951, Country of origin Austria. Arnold Schoenberg was born in Vienna  
   http://www.schott-music.com/shop/persons/az/17109/
   
   Extractions: After scandal concerts with atonal works and futile attempts to get a university job, Schoenberg began to work again as teacher at the Stern Conservatoire in 1913. From 1915 to 1918 he was called up for military service. After World War I Schoenberg founded the Society for Private Musical Performances (1918-1921) the object of which was, above all, to give public rehearsals and performances of contemporary progressive music. In 1923 he publicly announced his twelve-note serial method of composition.

4. WASSILY KANDINSKY: Sch�nberg
   Breve biografia e accenni sulla dodecofonia.  
   http://www.homolaicus.com/arte/kandinsky/schon.htm
   
   Extractions: QUANDO L'ASTRATTO DIVENTA SUBLIME Arnold Sch�nberg nacque a Vienna nel 1874, figlio di un modesto commerciante ebreo. Ebbe una strana formazione musicale, mediata dalla madre, e interrotta bruscamente quando dovette accettare a soli 15 anni un posto di commesso di banca, da cui per� venne licenziato per aver scritto al posto del nome di un cliente quello di Beethoven. Per vivere scriveva arrangiamenti e orchestrazioni per altri compositori e dirigeva operette. Nel 1899 scrisse uno dei suoi brani pi� noti per sestetto, "Verklarte nacht" (Notte splendente). Negli anni seguenti ricerc� intensamente nuovi modi espressivi, sia nel campo musicale che pittorico. Fu tra i fondatori della corrente espressionista e raccolse intorno a s� un gruppo di musicisti per creare un linguaggio capace di esprimere tutte le situazioni passionali e psicologiche senza condizionamenti tonali e ritmici, giungendo alla Dodecafonia , una teoria per cui tutti i suoni dovevano considerarsi di pari importanza. Nel 1912, con il melodramma per voce recitante "Pierrot lunaire", considerato il manifesto dell'Espressionismo musicale, realizz� le sue teorie: la crisi dell'uomo come soggetto immerso nell'alienazione della societ� non poteva essere descritta con il tradizionale canto melodico ed egli lo sostitu� con lo Sprechgesang, il canto parlato.

5. Arnold Schoenberg
   Essay, work list, articles, and links from Schirmer.  
   http://www.schirmer.com/composers/schoenberg_essay.html

6. Schoenberg,Arnold
   Wind Quintet, Op. 26 Written ; Duration ; Comments Lengthy, ambitious work in 12tone serial style. Difficult. Second movement requires piccolo instead of flute.  
   http://test.woodwind.org/Databases/Composers/Names/009037.html
   
   Extractions: Written Duration Comments Lengthy, ambitious work in 12-tone serial style. Difficult. Second movement requires piccolo instead of flute. If your quintet wants to be known as adventurous interpreters of 20th century music, you need to perform this work sometime. Once you sink your teeth into it, there's a lot to like. The second movement proves that Schoenberg had a sense of humor. Publisher Andraud

7. Milano Musica - Arnold Schoenberg Chor
   Presenta il maestro unitamente ad altri compositori del Novecento.  
   http://www.milanomusica.org/autori/schoenberg.html

8. Schoenberg, Arnold Definition Of Schoenberg, Arnold In The Free Online Encyclope
   Schoenberg, Arnold ( r`n lt sh n`bĕrkh), 1874–1951, Austrian composer, b. Vienna. Before he became a U.S. citizen in 1941 he spelled his name Sch nberg.  
   http://encyclopedia2.thefreedictionary.com/Schoenberg, Arnold

9. Schoenberg, Arnold.
   (18741951) Austrian Composer, a modernist whose search for a personal style led him to abandon the traditional structure of tonality and adopt his concept of the 12-tone scale.  
   http://www.worthpoint.com/worthopedia/schoenberg-arnold

10. Arnold Schoenberg- Albums, Pictures – Naxos Classical Music.
    Brief biography, caricature, and summaries of operatic, choral and vocal, orchestral, and chamber music.  
    http://www.naxos.com/composerinfo/Arnold_Schoenberg_21169/21169.htm
    
    Extractions: in All Albums Biographies Reviews Classical Music Home Stage Works Moses und Aron , of which he completed only two of the three acts. Other stage works include Erwartung Von heute auf morgen Choral and Vocal Music Gurre-Lieder , written between 1901 and 1903, is a work of Wagnerian proportions and mood for solo voices, large chorus and orchestra. Other, later vocal music includes A Survivor from Warsaw (1947) for narrator, male voices and orchestra. Solo songs range from the 1909 settings of Stefan George in Pierrot lunaire , a study of madness based on German translations of seven poems by Albert Giraud and using Sprechgesang (words half spoken, half sung) was completed in 1912. Orchestral Music Pelleas und Melisande Five Orchestral Pieces . He transcribed for cello a Harpsichord Concerto by the 18th-century composer Monn. Chamber Music Keyboard Music Schoenberg wrote Variations on a Recitative for organ, but most of his keyboard music is for piano, principally in a series of pieces that demonstrate the development of his theories of composition.

11. Schoenberg Arnold: Free Encyclopedia Articles At Questia.com Online Library
    Research Schoenberg Arnold and other related topics by using the free encyclopedia at the Questia.com online library.  
    http://www.questia.com/library/encyclopedia/101269795

12. Schoenberg.at
    Arnold Sch nberg Center, Wien On the Displacement of Tonality. The publisher Dohr in Cologne has just released a professorial dissertation on “The Development of Arnold Sch nberg  
    http://www.schoenberg.at/index.php?lang=en

13. Biographie: Arnold Schönberg, 1874-1951
    Neben tabellarischen Lebensdaten zu Sch nberg Ausschnitte aus folgenden Werken Gurrelieder, Streichquartett (mit Notenblatt), Bl serquintett und Variationen f r Orchester.  
    http://www.dhm.de/lemo/html/biografien/SchoenbergArnold/

14. Schoenberg, Arnold - Definition Of Schoenberg, Arnold By The Free Online Diction
    Thesaurus Legend Synonyms Related Words Antonyms. Noun 1. Arnold Schoenberg United States composer and musical theorist (born in Austria) who developed atonal composition (1874-1951)  
    http://www.thefreedictionary.com/Schoenberg, Arnold

15. Arnold Schoenberg ( - ) Artwork Images, Exhibitions, Reviews
    Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Arnold Schoenberg.Arnold Schoenberg, Edward Weston (United States, 1886  
    http://wwar.com/masters/s/schoenberg-arnold.html

16. Category:Schoenberg, Arnold - IMSLP/Petrucci Music Library: Free Public Domain S
    Free public domain sheet music from IMSLP / Petrucci Music Library  
    http://imslp.org/wiki/Category:Schoenberg,_Arnold
    
    Extractions: Jump to: navigation search Works of this composer are most likely not public domain before 1923 , in which case they are PD there as well. However, this composer's works are public domain IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. (13 September 1874 — 13 July 1951) Table of Contents: Top A B C ... Z

17. The Classical Buffet » Schoenberg, Arnold
    1840 John Stainer, composer and organist, born. 1915 Vincent Persichetti, composer, born. 1924 Premiere of Erwartung, monodrama by Arnold Schoenberg.  
    http://www.classicalbuffet.com/category/composers/schoenberg-arnold/

18. Schoenberg, Arnold
    Arnold Franz Walter Schoenberg (the anglicized form of Sch nberg —Schoenberg changed the spelling officially when he left Germany and reconverted to Judaism in 1933), (September  
    http://www.newworldencyclopedia.org/entry/Arnold_Schoenberg
    
    Extractions: Violin Arnold Franz Walter Schoenberg (the anglicized form of Schönberg —Schoenberg changed the spelling officially when he left Germany and re-converted to Judaism in 1933), (September 13, 1874 – July 13, 1951) was an Austrian and later American composer associated with the Expressionist movements in the early twentieth century German poetry and art. He began composing at the young age of ten, producing short pieces that imitated music he had played. He was influenced by the German post-Romantic musical techniques, including the tendency toward atonality, and even surpassed many of its representatives in the intensity with which he employed those techniques. Western music had attained complex harmonies by the end of Romanticism , and Schoenberg, convinced that it could not develop any farther, early on transitioned toward the atonal motivic development. Following this he began organizing notes into sets of 12 with no relationships with each other and with no center, a twelve-tone compositional technique involving tone rows, which he saw as unique and revolutionary because it resembled no music previously composed.

19. Schoenberg, Arnold (1874-1951)
    Oxford University Press USA publishes scholarly works in all academic disciplines, bibles, music, children's books, business books, dictionaries, reference books, journals, text  
    http://www.oup.com/us/companion.websites/9780195171198/tools/schoenberg/?view=us

20. JustClassical: Schoenberg, Arnold
    Analog, absolutely! Definitely digital! I think the performance is more important than the recording technology. Nothing can compare with a live performance.  
    http://justclassical.org/br-salesc.php?idcomposer=146

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