Iannis Xenakis - Wikipedia, The Free Encyclopedia Iannis Xenakis (May 29, 1922 – February 4, 2001) was an ethnic Greek, naturalized French composer, music theorist, and architectengineer. He is commonly recognized as one http://en.wikipedia.org/wiki/Iannis_Xenakis
Extractions: From Wikipedia, the free encyclopedia Jump to: navigation search Iannis Xenakis in his studio in Paris, c. 1970 (photograph by Michèle Daniel). Iannis Xenakis Greek Ξενάκης) (May 29, 1922 – February 4, 2001) was an ethnic Greek , naturalized French composer music theorist , and architect-engineer. He is commonly recognized as one of the most important post-war avant-garde composers. Xenakis pioneered the use of mathematical models such as applications of set theory , varied use of stochastic processes game theory , etc., in music, and was also an important influence on the development of electronic music. Among his most important works are Metastaseis (1953–4) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes . Among the numerous theoretical writings he authored, the book
Xenakis Traduction Xenakis Définition Xenakis Dictionnaire Compositori X (from Enciclopedia Musicale Elettronica) Xenakis, Yannis Iannis Xenakis in ``Mozart Among Us'' Iannis Xenakis (Contemporary Classical Music Archive) http://fr.thefreedictionary.com/Xenakis
HTTP Error 301 Brief citation from 1999. http://www.polarmusicprize.se/
Media Art Net | Generative Tools | Editorial Bense, Max Cage, John Cohen, Harold Eno, Brian Mohr, Manfred Xenakis, Yannis (Iannis) http://www.mediaartnet.org/themes/generative-tools/editorial/
Extractions: @import url("/assets/style/mkn.css"); Note: If you see this text you use a browser which does not support usual Web-standards . Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers With the rapid spread of the computer as a tool, aspects of information technology are increasingly finding their applications in artistic processes. This is putting a technology at the disposal of artistic production that is otherwise known only in computer science, industrial processes, robotics and artificial intelligence research. more Bense, Max
Iannis Xenakis Biographical note from Grove. http://w3.rz-berlin.mpg.de/cmp/xenakis.html
Yannis Xenakis A selection of articles related to Yannis Xenakis Yannis Xenakis Encyclopedia II List of Greeks - Painters. List of Greeks - Painters. http://www.experiencefestival.com/yannis_xenakis
Extractions: Skip to main content Dartmouth College Department of Music Led by an internationally acclaimed faculty of composers, performers, conductors, music theorists, historians, musicologists, ethno-musicologists, and technology innovators, the Dartmouth Music Department is at the cutting edge of today's music scholarship. We offer courses from beginning to graduate levels in performance practice , conducting, music history and criticism, non-western music, instrumental and electronic composition, music technology, and music theory. Music 1 Beginning Music Theory Music 5 History of Jazz Music 9 Music and Technology Music 20 Introduction to Music Theory Music 21 Melody and Rhythm Music 32 Improvisation Music 51 Oral Tradition Musicianship Music 4 Global Sounds Music 6 Masterpieces of Western Art Music Music 14 Music and Science Arrange Music 20 Introduction to Music Theory Music 22 Harmony and Rhythm Music 33 Theories of Music Music 34 Digital Instrument Design: PENDING FACULTY APPROVAL N/A Music 41 Composer Seminar: Mozart Music 45 Ethnomusicology Music 51 Oral Tradition Musicianship Music 1 Beginning Music Theory (Jazz Emphasis)
Yannis Xenakis — Infoplease.com Control freaks (The Spectator) Design essence David Dunster, who coedited this issue of the AR, introduces its theme, the diagram. In the pages that follow, architects describe the http://www.infoplease.com/ce6/people/A0852878.html
Yannis Xenakis's Birthday Yannis Xenakis was born Monday, May 29, 1922 Weekday Monday Rumanian composer architect mathematician http://birthdays.aspcode.net/Yannis-Xenakis/birthday.aspx
Extractions: What follows is a free ranging discussion of some aspects of the use of space in musical performance. Although my interest is primarily in the use of spatialisation or three dimensional physical space, I will touch on other aspects of space as it relates to musical experience. In order to establish some coherence in my presentation I have attempted to develop an argument around the potentialities of audible space. SECTION 1 - SPACE AS A COMPOSITION TOOL There are innumerable other examples of the exploitation of technology to achieve an integrated spatial dimension to musical composition. In the field of popular music, multitrack recording and stereo reproduction has made the inclusion of a spatial dimension common place in music production. From the earliest clumsy uses of the stereo sound stage in records such as The Beatles Sgt. Peppers Lonely Hearts Club Band[2] , where instruments are placed either to the right or left channels for effect, to carefully placed spatial deployment of instrumentation in records such as Donald Fagens The Nightfly[3] , a set of conventions for the use of space has been established. These conventions are often strictly adhered to, as are the conventions of instrumentation in popular music. In writings on the Western musical tradition, space and motion are often used metaphorically. Motion is a device for musical expression and as such has become a musical paradigm. Musical space is often measured in the dimensions of pitch, harmony, texture and rhythm or time. Musical motion occurs within this space. In addition to this usage of space, much musical discussion is embued with dynamic qualities of human emotion. These ideas have contributed to the multilayered, metaphoric connotations of space whose relations are wholly paradigmatic or associative.
Yannis Xenakis — FactMonster.com Encyclopedia Xenakis, Yannis or Iannis. Xenakis, Yannis or Iannis (y n'is zān 'kis) , 1922 – 2001, GreekFrench composer, b. Brăila, Romania. Xenakis studied civil engineering in http://www.factmonster.com/ce6/people/A0852878.html
Extractions: Reference Desk Encyclopedia Xenakis, Yannis or Iannis key Le Corbusier . He was also a composition pupil of Arthur Honegger , Darius Milhaud , and Olivier Messiaen Pithoprakta (1957) for strings, and Achorripsis (1958) for 21 instruments. In 1958, Xenakis collaborated with Edgar on the His later compositions often include electronic sound, as in Bohor (1962) and Polytope de Cluny (1972), or virtuoso percussion, as in Psappha Rebonds (1988), and his last piece, The Columbia Electronic Encyclopedia, Atlas ... Encyclopedia Click Here! Click Here! 24 x 7 Tutor Availability Unlimited Online Tutoring 1-on-1 Tutoring Explore Free Calculus Help Molarity Calculator Contact Us Advertise with Fact Monster ... Privacy
Johns Hopkins Magazine June 1997 Matthew Burtner The Composer In Five Prose Movements; student of Xenakis http://jhuniverse.jhu.edu/~jhumag/0697web/music.html
Extractions: Matthew Burtner ( Peabody '97) spent years of his childhood in Nuiqsuit, Alaska. You can't get much more north than Nuiqsuit. It's up by Pt. Barrow, north of the northern continental divide, way north of the Arctic Circle. There are no mountains, no hills, no treesjust tundra, an immense horizon, and wind without cease. The wind blows across hundreds of miles of desolate country until it hits something, like your house or your face. It's always in your ears, whether you're indoors or out in Nuiqsuit, or in Burtner's hometown of Naknek on Bristol Bay, or on one of the salmon boats where he works each summer. On the boat, he sometimes finds himself wishing for more wind. Mere gales make the sea choppy, pitching the vessel to and fro. A really big blow flattens the water. Listen to Burtner's musicfor he is a composerand sometimes you will find the wind in your own ears. There is weather in his compositions, as well as landscape: open, brooding, sometimes ominous, often wintry. For nearly as long as he can remember, he has been fascinated by sound and driven to organize it into music. Now 27, he composes tirelessly, and has since he was a boy. "When I was 13, I thought it was strange that I was always thinking about sound and writing little pieces," he says. "I realized that other people were not doing that. I distinctly remember thinking
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Roger Reynolds Discussion of computer music by Xenakis, Reynolds, Lansky and Mache. From theDelphi Computer Music Conference/Festival 1992. http://rogerreynolds.com/xenakis1.html
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Media Art Net | Index By Names Xenakis, Yannis (Iannis) Yalkut, Jud Zapp, Andrea Zaretsky, Adam ZDF Das kleine Fernsehspiel zeitblom ZERO Zhang, Ga Ziegler, Christian ZKM Institut f r http://www.mediaartnet.org/index/names/x/
