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         Brown Ford Madox:     more books (56)
  1. The Diary of Ford Madox Brown by Ford Madox Brown, 1981
  2. FORD MADOX BROWN AND THE PRE-RAPHAELITE CIRCLE. by Terese and Watkinson, Ray: Newman, 1991
  3. FORD MADOX BROWN, 1821-1893. by Mary (introduction). Bennett, 1964
  4. The Art of Ford Madox Brown by Kenneth Bendiner, 1997
  5. FORD MADOX BROWN (CR) by MARY 2 VOLS. BENNETT, 2010
  6. Manchester Town Hall Guide: Including the Ford Madox Brown Murals by Keith Warrender, 2002-08
  7. Kelmscott Manor: An Illustrated Guide by A.R. Duffy, John Cherry, et all 1996
  8. Ford Madox Ford and Englishness (International Ford Madox Ford Series 5) (International Ford Madox Ford Studies)
  9. The brown owl, a fairy story by Ford Madox Ford, 2010-08-18
  10. The Brown Owl: A Fairy Story (1892) by Ford Madox Hueffer, 2008-06-02
  11. THE FEATHER.[ FRONTISPIECE BY F. MADOX BROWN. ] by Ford H Madox Hueffer, 1892
  12. The Brown Own by Ford H. Madox Hueffer, 1892
  13. The feather by Ford H. Madox Hueffer, F. Madox Brown, 2009-09-21
  14. The Brown Owl by Ford Madox Ford, 1966-01-01

41. Brown, Ford Madox (Harper's Magazine)
October 2010. AMERICAN ELECTRA Feminism’s Ritual Matricide By Susan Faludi. THIRTY DAYS AS A CUBAN Pinching Pesos and Dropping Pounds in Havana By Patrick Symmes
http://harpers.org/subjects/FordMadoxBrown

42. Ford Madox Brown Paintings Reproduction And Biography
(April 16, 1821 – October 6, 1893)Ford Madox Brown was an English painter of moral and historical paintings, notable for his distinctively graphic and often Hogarthian version of
http://www.allartclassic.com/author_biography.php?p_number=155

43. Ford Madox Brown: Work
Brown, Ford Madox Work 185263 Oil on canvas 53 15/16 x 77 11/16 in Manchester City Art Galleries
http://www.artchive.com/artchive/B/brown/brown_work.jpg.html

44. Best Art Online - Reproduction Art At Affordable Prices - Brown, Ford Madox
Brown, Ford Madox, England, 1821 1893, Pre-Raphaelite Brotherhood - Best Art Online at affordable prices - your very own hand painted masterpieces - worldwide shipping - 100%
http://www.best-art-online.com/brown-ford-madox-c-75_85_1351.html
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Brown, Ford Madox
Ford Madox Brown
One of his most famous images is The Last of England, a portrait of a pair of stricken emigrants as they sail away on the ship that will take them from England forever. It was inspired by the departure of the Pre-Raphaelite sculptor Thomas Woolner, who had left for Australia. The painting is structured with Brown's characteristic linear energy, and emphasis on apparently grotesque and banal details, such as the cabbages hanging from the ship's side. His son Oliver Madox Brown He was the grandfather of novelist Ford Madox Ford and great-grandfather of Labour Home Secretary Frank Soskice. Brown is buried in London in the St Pancras and Islington Cemetery, close to Muswell Hill. - wikipedia Displaying to (of products) Result Pages: Model Product Name+ Price ex VAT Price Buy Now Elijah Restoring the Widow's Son Movement: Pre-Raphaelite Brotherhood Collection: Victoria and Albert Museum, London

45. Tate Collection | Mildred Anne Butler
Mildred Anne Butler 18581941
http://www.tate.org.uk/servlet/ArtistWorks?id=72

46. Work By BROWN, Ford Madox
Page of Work by BROWN, Ford Madox in the Web Gallery of Art, a searchable image collection and database of European paintings and sculptures (10001850)
http://www.wga.hu/html/b/brown/work.html
BROWN, Ford Madox (b. 1821, Calais, d. 1893, London)
Work
Oil on canvas, 137 x 197 cm
City Art Gallery, Manchester
Ford Madox Brown had a wide knowledge of continental history painting, but had been particularly impressed by the medievalism of the Nazarenes. His early pictures show him trying to combine such medievalism with the naturalist tradition, giving his work a vigour that was readily appreciated by the younger Pre-Raphaelites. This ambitious composition can be described as a "real allegory." To paint his chosen location (in the north London suburb of Hampstead), he had carried his huge canvas and set it up in situ throughout the summer of 1852. Hence the sunlight that illuminates some of the protagonists (the "navvies," the orphans with their big sister, and, in the distance on the right, the people carrying election posters), while in the shade of the trees the artist portrays a wealthy couple on horseback and, on the other side of the railings, a family of Irish tramps. On the far right, observing this spectacle of the entire social spectrum, we recognize Thomas Carlyle and Frederick Denison Maurice, whose ideas are illustrated here.

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