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         Calvino Italo:     more books (103)
  1. The Nonexistent Knight and The Cloven Viscount by Italo Calvino, 1977-03-28
  2. Adam, One Afternoon by Italo Calvino, 1992-08-20
  3. Il Barone Rampante (Oscar Opere Di Italo Calvino) (Italian Edition) by Italo Calvino, 1990-08
  4. Fantastic Tales: Visionary and Everyday
  5. The Road to San Giovanni by Italo Calvino, 1994-11-01
  6. Le Citta Invisibili (Oscar Opere Di Italo Calvino) (Italian Edition) by Italo Calvino, 1993-12-31
  7. Se Una Notte D'Inverno UN Viaggiatore (Oscar Opere Di Italo Calvino) (Italian Edition) by Italo Calvino, 2002-10
  8. Under the Jaguar Sun by Italo Calvino, 1990-04-05
  9. The Mind of Italo Calvino: A Critical Exploration of His Thought and Writings by Dani Cavallaro, 2010-04-06
  10. If On A Winter's Night A Traveler by Italo; Weaver, William, Translator Calvino, 1979-01-01
  11. Il sentiero dei nidi di ragno (Oscar Opere di Italo Calvino)(Italian Edition) by Italo Calvino, 1993-12-31
  12. The Literature Machine: Essays (Vintage classics) by Italo Calvino, 1997-10-02
  13. Invisible cities by Italo Calvino,
  14. Our Ancestors: "Cloven Viscount", "Baron in the Trees" and "Non-existent Knight" (Picador Books) by Italo Calvino, 1980-09

21. IPERTESTO SU ITALO CALVINO
Biografia, bibliografia, trame, personaggi, struttura, tematiche e commenti alle opere di Calvino.
http://kidslink.bo.cnr.it/irrsaeer/calvino2/

22. Calvino, Italo - Hutchinson Encyclopedia Article About Calvino, Italo
Italian writer and journalist. His imaginative, lyrical fantasies and allegories have made him one of the great 20thcentury Italian writers. His novels include Il sentiero dei
http://encyclopedia.farlex.com/Calvino, Italo

23. Italo Calvino Quote - The Human Race Is A Zone Of Living Things That Should Be D
Quotes by Calvino, Italo. Myth is the hidden part of every story, the buried part, the region th When politicians and politically minded people pay too much attention
http://www.quotecosmos.com/quotes/19626/view

24. Italo Calvino
Propone una biografia ragionata, la bibliografia e alcuni commenti alle opere.
http://www.italialibri.net/autori/calvinoi.html
NARRATIVA POESIA SAGGISTICA DOSSIER ... INTERVISTE
ITALO CALVINO, FRA LETTERATURA E IMPEGNO POLITICO
FORUM CONTRIBUTI RIVISTA
Italo Calvino (1923-1985)
ROMAN
talo Calvino nasce, il 15 ottobre 1923, a Santiago de Las Vegas, un villaggio vicino all'Avana (Cuba), dove il padre dirige una stazione sperimentale di agricoltura e una scuola d'agraria. Dal padre agronomo e dalla madre botanica riceve un'educazione rigorosamente laica. Vittorini Nel 1947 esordisce come scrittore, pubblicando, grazie a Pavese Il sentiero dei nidi di ragno Ultimo viene il corvo Racconti (1958), e soprattutto del volume I nostri antenati (1960), che comprende la trilogia di romanzi fantastici e allegorici sull'uomo contemporaneo: Il visconte dimezzato Il barone rampante (1957), e Il cavaliere inesistente (1959). In questi anni pubblica anche l'importante saggio Il midollo del leone (1955), e raccoglie e traduce Le fiabe Italiane che pubblica nel 1956, anno in cui i fatti di Ungheria provocano il suo distacco dal PCI e lo conducono progressivamente a rinunciare a un diretto impegno politico. Tra il 1959 e il 1967 dirige, insieme a

25. Calvino, Italo
Calvino, Italo Encyclopedia article; The Columbia Encyclopedia, Sixth Edition, 2004. Read Calvino, Italo at Questia library.
http://www.questia.com/read/101235272
questia.Dictionary.domain = 'questia'; Letter A Letter B Letter C Letter D ... Letter Z addthis_url = 'http://www.questia.com/read/101235272'; addthis_title = 'Calvino, Italo'; addthis_pub = 'ahanin'; This feature allows you to create and manage separate folders for your different research projects. To view markups for a different project, make that project your current project. This feature allows you to save a link to the publication you are reading or view all the publications you have put on your bookshelf. This feature allows you to save a link to the page you are reading, which you can later return to from Projects. This feature allows you to highlight words or phrases on the publication page you are reading. This feature allows you to save a note you write on the publication page you are reading. This feature allows you to create a citation to the page you are reading that you can paste into your paper. Highlight a passage to include that passage as a quotation. This feature allows you to save a reference to a publication you are reading for your bibliography or generate a bibliography you can paste into your paper.

26. Authologies: Italo Calvino
Biographie, bibliographie, pr sentation et extraits de livres, liens.
http://authologies.free.fr/calvino.htm
La Voce della Democrazia Contemporaneo , en passant par La Repubblica ou le magazine
Son premier roman, Le corbeau vient le dernier
, suivi par Le vicomte pourfendu et Le chevalier inexistant . Ces trois "contes philosophiques", au travers des tribulations d'un chevalier fendu en deux par un ennemi, et dont les deux parties poursuivent leur existence, l'une consacrée au bien et l'autre au mal, ou celles d'un baron qui refuse de descendre de son arbre, reflètent avec humour les préoccupations sociales et politiques de Calvino.
Si par une nuit d'hiver, un voyageur
, et Pourquoi lire les classiques Cosmicomics Les Villes invisibles
Sous le soleil jaguar

Salman Rushdie disait de lui: "Il met sur le papier ce que vous saviez depuis toujours, sauf que vous n'y aviez pas pensé avant."
1949 - Le corbeau vient le dernier
1958 - I raconti
1959 - Le chevalier inexistant et le vicomte pourfendu
1963 - Marcovaldo ou les saisons en ville 1965 - La formica argentina Cosmicomics 1968 - La memoria del mondo 1970 - Gli amori difficili 1972 - Les villes invisibles Si par une nuit d'hiver un voyageur 1981 - Contes italiens 1983 - Palomar 1986 - Collection de sable Sous le soleil jaguar 1990 - La route de San Giovanni 1991 - Pourquoi lire les classiques Cosmicomics Si par une nuit d'hiver, un voyageur

27. In Calvino Veritas: The Critical Calvino Page
Online collection of essays on the author s allegorical fantasies.
http://www.sccs.swarthmore.edu/~pwillen1/lit/index2.htm
  • Anyhow you can't see my cool page chock full of frames. Domage!
  • 28. Italo Calvino — Infoplease.com
    Encyclopedia Calvino, Italo. Calvino, Italo (it u lō călvē'nō) , 1923 – 85, Italian novelist. Calvino was one of the most popular novelists of the 20th cent.
    http://www.infoplease.com/ce6/people/A0809970.html

    29. Great Science-Fiction & Fantasy Works: Italo Calvino
    Critical discussion and excerpts from the fantasy author s works.
    http://greatsfandf.com/AUTHORS/ItaloCalvino.shtml

    30. Italo Calvino
    Information on and readings from Italian author Italo Calvino
    http://des.emory.edu/mfp/calvino/
    Site Navigation
    Essays, passages, and short stories.
    from Mr. Palomar from If on a winter's night a traveler from Numbers in the Dark from Difficult Loves from Cosmicomics from Six Memos for the Next Millennium from Invisible Cities from The Uses of Literature

    31. Moos: Italo Calvino As Author/Game-master In _If On A Winter's Night A Traveler_
    Essay on the metafictive elements of If on a winter s night a traveler from a literary theory perspective.
    http://www.public.asu.edu/~dgilfill/digitaltexts/final_projects/moos/
    Italo Calvino as Author/Game-master in If on a winter's night a traveler
    In an interview conducted in January 1978, one year before the publication of his novel If on a winter's night a traveler Iown ), Italo Calvino responded to a question about his future writing plans with these words: "What I keep open is fiction, a storytelling that is lively and inventive, as well as the more reflective kind of writing in which narrative and essay become one" (Calvino, Hermit in Paris 190). Calvino created this very type of fiction in Iown Iown we cannot ignore the sections of the novel that deal with aspects of writing, authorship, and publishing in ways that unabashedly reflect Calvino's own opinions and feelings. By speaking his opinions through his characters (who we as readers naturally identify with) Calvino is persuading us to identify with him, and is therefore able to maintain his position of control and authority. Thus, through the playful use of metafiction Calvino can achieve the creation of a novel that is both self-consciously reflective and "lively and inventive." Iown The game strategy emerges clearly [. . .] by creating suspense the author captures our interest, but he keeps deferring the consummation of our curiosity [. . .] In Calvino's game we, the readers, risk frustration: letting ourselves be dragged into the story, we are bound to suffer from aroused and dissatisfied curiosity. (Fink 3)

    32. Calvino, Italo
    Free Study Guides, Book Notes, Book Reviews More Pay it forward Tell others about Novelguide.com
    http://www.novelguide.com/a/discover/rghl_01/rghl_01_00050.html

    33. Italo Calvino
    Featuring excerpts of the author s work in Italian and English, text of his autobiographical essay, reviews, articles, and links.
    http://www.des.emory.edu/mfp/calvino/
    Site Navigation
    Essays, passages, and short stories.
    from Mr. Palomar from If on a winter's night a traveler from Numbers in the Dark from Difficult Loves from Cosmicomics from Six Memos for the Next Millennium from Invisible Cities from The Uses of Literature

    34. Calvino, Italo Encyclopedia Topics | Reference.com
    Copy paste this link to your blog or website to reference this page
    http://www.reference.com/browse/Calvino, Italo

    35. Swarthmore College Invisible Cities
    Etext excerpts from Calvino s most famous work.
    http://www.sccs.swarthmore.edu/~pwillen1/lit/citysum.htm
    selections from...
    Thin Cities 3
    Whether Armilla is like this because it is unfinished or because it has been demolished, whether the cause is some enchantment or only a whim, I do not know. The fact remains that it has no walls, no ceilings, no floors: it has nothing that makes it seem a city except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be: a forest of pipes that end in taps, shouwers, spouts, overflows. Against the sky a lavabo's white stands out, or a bathtub, or some other porcelain, like late fruit still hanging from the boughs. You would think that the plumbers had finished their job and gone away before the bricklayers arrived; or else their hydraulic systems, indestructable, had survived a catastrophe, an earthquake, or the corrosion of termites.
    Abandoned before or after it was inhabited, Armilla cannot be called deserted. At any hour, raising your eyes among the pipes, you are likely to glimpse a young woman, or many young women, slender, not tall of stature, luxuriating in the bathtubs or arching their backs under the showers suspended in the void, washing or drying or perfuming themselves, or combing their long hair at a mirror. In the sun, the threads of water fanning from the showers glisten, the jets of the taps, the spurts, the splases, the sponges' suds.
    I have come to this explaination: the streams of water channeled in the pipes of Armilla have remained in th posession of nymphs and naiads. Accustomed to traveling along underground veins, they found it easy to enter the new aquatic realm, to burst from multiple fountains, to find new mirrors, new games, new ways of enjoying the water. Their invasion may have driven out the human beings, or Armilla may have been built by humans as a votive offering to win the favor of the nymphs, offended at the misuse of the waters. In any case, now they seem content, these maidens: in the morning you hear them singing.

    36. Swarthmore The Soft Moon
    Includes an excerpt from the author s book, T Zero.
    http://www.sccs.swarthmore.edu/~pwillen1/lit/moon.htm
    The Soft Moon , taken from the book t zero
    As fast as the traffic allowed, I went through the tunnel, drove toward the Observatory. Sibyl was there, her eye glued to the telescope. As a rule she didn't like me to visit her during working hours, and the moment she saw me would make a vexed face; but not that evening: she didn't even look up, it was obvious she was expecting my visit. "Have you seen it?" would have been a stupid question, but I had to bite my tongue to keep from asking it, I was so impatient to know what she thought about it all.
    "Yes, the planet Moon has come closer still," Sibyl said, before I had asked her anything, " the phenomen was foreseen."
    I felt a bit relieved. "Do you foresee that it'll move away again?" I asked.
    Sibyl still had one eyelid half closed, peering into the telescope. "No," she said, "it won't move away any more."
    I didn't understand. "You mean that the Earth and the Moon have become twin planets?"
    "I mean the Moon isn't a planet any more and the Earth has a Moon."
    Sibyl had a casual way of dismissing matters; it irritated me every time she did it. "What kind of thinking is that?" I complained. "one planet's just as much a planet as the others, isn't it?"

    37. Calvino, Italo | Calvino, Italo Information | HighBeam Research - FREE Trial
    Calvino, Italo Research Calvino, Italo articles at HighBeam.com. Find information, facts and related newspaper, magazine and journal articles in our online encyclopedia.
    http://www.highbeam.com/doc/1G2-2507200092.html?key=01-42160D527E1A11691408021F0

    38. Italo Calvino Excerpt
    Passage from If on a winter s night a traveller.
    http://www-control.eng.cam.ac.uk/hu/Calvino.html
    Italo Calvino Excerpt
    From "If on a winter's night a traveller"
    (one of Haig's favourites)
    ... I'm speaking to you two, a fairly unrecognisable tangle under the rumpled sheet. Maybe afterward you will go your separate ways and the story will again have to shift gears painfully, to alternate between the feminine tu voi , a second person plural, you are two tu s, more separate and circumscribed than before. (This is already true now, when you are still occupied, each with the other's presence, in an exclusive fashion. Imagine how it will be in a little while, when ghosts that do not meet will frequent your minds, accompanying the encounters of your bodies tested by habit.) Ludmilla, now you are being read. Your body is being subjected to a systematic reading, through channels of tactile information, visual, olfactory, and not without some intervention of the taste buds. Hearing also has its role, alert to your gasps and your trills. It is not only the body that is, in you, the object of raeding: the body matters insofar as it is part of a complex of elaborate elements, not all visible and not all present, but manifested in visible and present events: the clouding of your eyes, your laughing, the words you speak, your way of gathering and spreading your hair, your initiatives and your reticences, and all the signs that are on the frontier between you and usage and habits and memory and prehistory and fashion, all codes, all the poor alphabets by which one human being believes at certain moments that he is reading another human being.

    39. David Moss: Conjure
    Brief excerpt from the composer s experimental piece based on Calvino s writings. Requires the RealAudio web browser plug-in.
    http://www.somewhere.org/NAR/work_excerpts/moss/main.htm
    David Moss: Conjure (1991)
    (p) 1991 Tangible Touch Music (ASCAP). All rights reserved.
    A short dizzying stew of music and narrative quantum physics, languages, chants, stories, scientists, banquets, distant galaxies, songs, objects, and desire. Based on text fragments from the writings of the late Italian writer and Nobel Prize winner, Italo Calvino. Composed and performed by Moss with additional voice inserts spoken by Maldwyn and Ichi Ikeda. Co-commissioned by Harvestworks, Inc., the Wexner Center for the Visual Arts., and NEW AMERICAN RADIO.
    RealAudio 2.0 Preview
    RealAudio 1.0 Preview
    Listen to full-length work [ ra
    View score
    More David Moss
    Biography
    Other Radio Works and Recordings
    Biography
    DAVID MOSS As a soloist MOSS has been featured at: The Kitchen, Public Theater, Knitting Factory, Whitney Museum, Roulette, Musica '88/92 (Strasbourg/Bonn), Walker Art Center, The Ijsbreker, New Music America ('83-88), Wien Festwochen, Taktlos Festival, PS 122, Tokyo New Music, American Center (Paris), ICA (London), Milano Poesia, Alte Opera (Frankfurt), WDR (Koln), Kunst Museum (Bern). He is the leader of "DenseBand", "Direct Sound" (5 Voices), and is the Musical Director of "Survival Songs" a new opera for Leipzig Oper. His most recent prizes and honors include the Horspeil des Monats for "Moss Tales" awarded by the Deutsche Akademie des Darstellenden Kunste in October 1995, the Preis der Deutschen Schallplatten Kritik, 1992 and 1994; a 1991 Guggenheim Fellowship and a DAAD Kunstlerprogram stipend for a one-year residency in Berlin, Germany. Moss has lived in Berlin since 1991. He has completed two works for NEW AMERICAN RADIO: Conjure (1991) and Language Linkage (1986).

    40. Shirley Sharoff: "OVI"
    A series of collages by artist Shirley Sharoff inspired by Calvino s science-fiction opus Cosmicomics.
    http://colophon.com/sharoff/ovi.html
    "OVI" 1988 Graphic "big bang" and typographic spirals with an extract from Cosmicomics by Italo Calvino. 26.5 cm.
    4 color etchings, edition of 74 on Velin Rives. In a silver-colored box.
    Price. 4,300 French Francs ($860 US)
    "OVI" 1988
    Graphic "big bang" and typographic spirals with an extract from Cosmicomics by Italo Calvino. 26.5 cm.
    4 color etchings, edition of 74 on Velin Rives. In a silver-colored box.
    Price. 4,300 French Francs ($860 US)
    "OVI" 1988
    Graphic "big bang" and typographic spirals with an extract from Cosmicomics by Italo Calvino. 26.5 cm.
    4 color etchings, edition of 74 on Velin Rives. In a silver-colored box.
    Price. 4,300 French Francs ($860 US) hosted by: COLOPHON PAGE GALLERY MARKETPLACE SEARCH ... FEEDBACK

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