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         Donne John:     more books (69)
  1. Donne: Selected Prose (Penguin Classics) by John Donne, 1987-07-07
  2. John Donne and the Metaphysical Poets (Bloom's Modern Critical Views)
  3. The Poetical Works of Dr. John Donne: With the Life of the Author. Volume 1 by John Donne, 2001-03-06
  4. The Life and Letters of John Donne: Dean of St. Paul's by Edmund Gosse, 2010-03-07
  5. Critical Essays on John Donne (Critical Essays on British Literature)
  6. One Equall Light: An Anthology of Writings by John Donne by John Donne, 2003-10-01
  7. John Donne - Poetry And Prose by John; Warnke, Frank J., Editor Donne, 1967
  8. John Donne: Man of Flesh and Spirit by David Edwards, 2002-08-01
  9. John Donne in the Nineteenth Century by Dayton Haskin, 2007-08-02
  10. Analysis of John Donne's Poetry by Raja Sharma, 2010-04-19
  11. The Major Works: Including Songs and Sonnets and Sermons (Oxford World's Classics) by John Donne, 2000-09-28
  12. Poems of Faith (Dover Thrift Editions) by John Donne, Ben Jonson, et all 2003-01-16
  13. One Equall Light: An Anthology of the Writings of John Donne by Rowan Williams, 2004-02
  14. Some Poems And Devotion Of John Donne. The Poet Of The Month by John Donne, 1941

61. [EMLS 2.2 (August 1996): 2.1-33] New Pleasures Prove: Evidence Of Dialectical Di
Margaret Downs-Gamble examines Donne s poems in terms of the manuscript culture of the times.
http://www.humanities.ualberta.ca/emls/02-2/downdonn.html
New Pleasures Prove: Evidence of Dialectical Disputatio in Early Modern Manuscript Culture
Margaret Downs-Gamble
Virginia Tech
margaret@vt.edu
Downs-Gamble, Margaret. "New Pleasures Prove: Evidence of Dialectical Disputatio in Early Modern Manuscript Culture." Early Modern Literary Studies http://purl.oclc.org/emls/02-2/downdonn.html
  • Thomas Fuller first related the legend that Sir Walter Ralegh used a diamond to etch the words, "Fain would I climb, yet fear I to fall," on a window pane at Court where Elizabeth I could not fail to see them. As the story goes, the Queen answered Ralegh in rhyme with the corrective "If thy heart fails thee, climb not at all" (Fuller 261). More than a telling vignette of the insecurities of Court life, the narrative of this verse exchange serves to foreground the dialogic nature of poetic practice in the Renaissance. Because dialogue is in some sense circumscribed by the immediacy with which an exchange can occur, it should not be surprising that the flowering of dialogic verse occurred within a manuscript culture. But manuscript transmission alone does not account for the variety of practices evinced by early modern manuscripts. The forms of their communicative acts were determined by Renaissance emphases on rhetoric and dialectic. However ritualized the practice may appear, and however stylized, poetry served a primarily communicative function. Wilber Samuel Howell insists that "Englishmen of these two centuries did not waste their time in the vain effort to deny poetry a primarily communicative function"; it was "considered to be the third great form of communication, open and popular but not fully explained by rhetoric, concise and lean but not fully explained by logic," instead containing "both characteristics at once" (Howell 4).
  • 62. Glbtq >> Literature >> Donne, John
    England's supreme poet of heterosexual love in the late Renaissance, John Donne also wrote a series of homoerotic verse letters to a young man and a remarkable dramatic
    http://www.glbtq.com/literature/donne_j.html
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    Donne, John (1572-1631) John Donne ranks among the greatest poets in English literature. Founder of the so-called Metaphysical school, he helped revolutionize English poetry in the late sixteenth-century by creating an intellectual, tough-minded verse characterized by "strong lines," colloquial language, natural rhythms, and surprising conceits. In Donne's poetry, an eccentric and often egocentric sensibility is explored and expressed in a unique voice and often in extreme terms. Donne's canon is large, comprising a great deal of prose as well as satires, love elegies, epigrams, epithalamions, epicedes and obsequies, verse letters, holy sonnets and other divine poems. Sponsor Message.

    63. [EMLS 3.3 (January, 1998): 18.1-6] Review Of The Variorum Edition Of The Poetry
    Elizabeth Hodgson reviews The Variorum Edition of the Poetry of John Donne, Volume 8 The Epigrams, Epithalamions, Epitaphs, Inscriptions, and Miscellaneous Poems. Gary A. Stringer, et al.
    http://extra.shu.ac.uk/emls/03-3/rev_hod2.html
    John Donne. The Variorum Edition of the Poetry of John Donne, Volume 8: The Epigrams, Epithalamions, Epitaphs, Inscriptions, and Miscellaneous Poems . Gary A. Stringer, General Editor. Ted-Larry Pebworth, Gary A. Stringer, and Ernest W. Sullivan, II, Text Editors. William A. McClung, Volume Commentary. Jeffrey Johnson, Contributing Editor. Bloomington: Indiana UP, 1996. 576 pp. $39.95 cloth. ISBN 253 31812 2.
    Elizabeth Hodgson
    University of British Columbia
    ehodgson@interchg.ubc.ca

    Hodgson, Elizabeth. "Review of The Variorum Edition of the Poetry of John Donne, Volume 8: The Epigrams, Epithalamions, Epitaphs, Inscriptions, and Miscellaneous Poems ." Early Modern Literary Studies http://purl.oclc.org/emls/03-3/rev_hod2.html
  • John Donne, who seemed to have been killed off by the loving ministrations of T.S. Eliot and the New Critics, has been in recent years resurrected as an object of serious critical inquiry. Annabel Patterson, Katharine Eisaman Maus, Richard Rambuss, Janel Mueller, Stanley Fish, Jonathan Goldberg and dozens of other "newer critics" have examined Donne's works through feminist, queer-theory, materialist and deconstructive filters, and Donne's political involvements in the Jacobean state have been reinvestigated in biographical works and editions of his polemical prose. Such progress has been somewhat hampered by the often-outdated editions of the texts, though, and this is a problem which the Donne Variorum editors are addressing here.
  • 64. Complete Poetry And Selected Prose - DONNE, John | Between The Covers Rare Books
    Third printing. About very good in lightly spotted boards, without the dustwrapper, with a newspaper clipping affixed to the front free endpaper and scattered pencilled notes.
    http://www.betweenthecovers.com/btc/item/70480
    Home About Us Site Map Help ... Shopping Cart Images+Detail Item Info DONNE, John Complete Poetry and Selected Prose London / NY: Nonesuch Press / Random House 1932. Third printing. About very good in lightly spotted boards, without the dustwrapper, with a newspaper clipping affixed to the front free endpaper and scattered pencilled notes. [BTC #70480] More Results Explore BTC highlights along with additional titles in stock related to the item above... DONNE, John Some Poems and A Devotion of... DONNE, John Some Poems and A Devotion of... ... The Bone People Book Bargains Our staff cat, Admiral Muffin, has selected thousands of books for special discount from all areas of our stock. Plays Photography Aviation Mysteries ... The Master Key ORIG. $400.00 SALE $280.00 On Collecting... Views, anecdotes and insights into the world of antiquarian books by the BTC staff and distinguished guests. Just Added Book Catalogs Galore The Bookshop in Old New Castle Bookselling in Hard Times: "Will work for rare books" The Between the Covers Blog ... Organized Labor Goes Feline Introductory Articles What the hell kind of website is this anyway?

    65. [EMLS 2.1 (April 1996: 10.1-7] Review Of John Donne. Pseudo-Martyr And John Donn
    Elizabeth Hodgson reviews two books John Donne. Pseudo-Martyr. Ed. Anthony Raspa; John Donne and the Ancient Catholic Nobility, by Dennis Flynn.
    http://extra.shu.ac.uk/emls/02-1/rev_hod1.html
    John Donne. Pseudo-Martyr. Ed. Anthony Raspa. Montreal: McGill-Queen's UP, 1993. 430 pp.
    Dennis Flynn. John Donne and the Ancient Catholic Nobility. Bloomington: Indiana UP, 1995. 181 pp. + appendix.
    Elizabeth Hodgson
    University of British Columbia
    ehodgson@unixg.ubc.ca
    Hodgson, Elizabeth. "Review of John Donne. Pseudo-Martyr and John Donne and the Ancient Catholic Nobility ." Early Modern Literary Studies http://purl.oclc.org/emls/02-1/rev_hod1.html
  • Scholars of early modern English literature have been busily working on the corpus of John Donne recently; not only is the multi-volume Variorum edition of his poetry in preparation, but we also have a new edition of his prose work Pseudo-Martyr edited by Anthony Raspa and a new biographical study by Dennis Flynn.
    The 1610 Pseudo-Martyr
    Raspa's edition, as welcome as it is, could have been more useful still. Raspa chooses to use not one but two copy-texts, and it is not clear from the textual introduction why he makes such a decision. Some of the emendations also seem rather arbitrary; why silently correct the punctuation of a single sentence of Donne's? It would also help if Raspa could more convincingly "sell" Pseudo-Martyr in the introduction; his rather careful prose doesn't quite convey his own fascination with this work.
  • 66. Donne, John Biography - S9.com
    1572 – He was born on this year at London England. 1591 – He was accepted as a student at the Thaives Inn legal school, one of the Inns of Court in London. 1592 ndash
    http://www.s9.com/Biography/Donne-John

    67. [EMLS 1.3 (December 1995): 6.1-10] Review Of The Variorum Edition Of The Poetry
    Claude J. Summers reviews The Variorum Edition of the Poetry of John Donne (vol. 6) The Anniversaries and The Epicedes and Obsequies. Gen. Ed. Gary A. Stringer.
    http://extra.shu.ac.uk/emls/01-3/rev_sum1.html
    John Donne. The Variorum Edition of the Poetry of John Donne, Vol 6: The Anniversaries and the Epicedes and Obsequies . Gen. Ed. Gary A. Stringer. Bloomington: Indiana UP, 1995. lvii + 689 pp.
    Review by,
    Claude J. Summers
    University of Michigan, Dearborn
    csummers@umich.edu

    Summers, Claude J. "Review of The Variorum Edition of the Poetry of John Donne (vol. 6): The Anniversaries and The Epicedes and Obsequies ." Early Modern Literary Studies http://purl.oclc.org/emls/01-3/rev_sum1.html
  • The appearance of the first volume in print of The Variorum Edition of the Poetry of John Donne
    Volume 6 of The Variorum Edition of the Poetry of John Donne is in itself a significant contribution to early modern literary studies. But as the first volume of an ambitious project, it has a further importance as herald of the major achievement that the completed edition promises. Indiana University Press deserves commendation for producing so complex a book so handsomely. At this time of outrageous prices for slim scholarly books, it is especially gratifying that support from the National Endowment for the Humanities and several universities have made it possible for the Press to market this large book at a price under $50.00. This volume belongs in every academic library and in the personal library of every scholar seriously interested in the works of John Donne.
  • 68. Donne, John - Literature Network Forums
    Welcome to the Literature Network Forums forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other
    http://www.online-literature.com/forums/forumdisplay.php?f=130

    69. [EMLS 3.1 (May 1997): 3.1-37] Colon And Semi-Colon In Donne's Prose Letters: Pra
    Suggests that Donne s colon and semicolon usage reveals several Donnean principles of punctuation. By Emma L. Roth-Schwartz.
    http://extra.shu.ac.uk/emls/03-1/rothdonn.html
    Colon and Semi-Colon in Donne's Prose Letters: Practice and Principle
    Emma L. Roth-Schwartz
    rsschwartz@vax2.winona.msus.edu
    Roth-Schwartz, Emma L. "Colon and Semi-Colon in Donne's Prose Letters: Practice and Principle." Early Modern Literary Studies http://purl.oclc.org/emls/03-1/rothdonn.html
  • We cannot know now, and may never know, how Donne punctuated any but one of his English poems. This awkward situation makes it impossible to maintain the twentieth-century editor's drive toward the stability of a fixed and authorial text in the case of Donne's poetry. Perhaps this is not altogether a bad thing: seventeenth-century coterie poetry belonged to manuscript culture, and so was exempt from the requirements of stability introduced by print; we may distort the object of study by making it appear more stable than it in fact was. But modern editorial principles require a standard of judgement in Donne editions. On what grounds can we say that one editor's punctuation is superior to another's?
    Application of the punctuation principles of the seventeenth century would seem to be a good idea under these circumstances.
  • 70. John Donne — Infoplease.com
    More on John Donne from Infoplease Donne meaning and definitions Donne Definition and Pronunciation; John Donne The Will - Before I sigh my last gasp, let me breathe
    http://www.infoplease.com/ce6/people/A0815872.html

    71. EMLS 9.2 (September, 2003]: 1.1-50 The Metaphysical Sonnets Of John Donne And Mi
    Magdalena Kay suggests that Both poets work out their ideas through paradox and syntactic play.
    http://extra.shu.ac.uk/emls/09-2/kaysep.html
    The Metaphysical Sonnets of John Donne and Mikolaj Sep Szarzynski: A Comparison
    Magdalena Kay
    University of California, Berkeley
    magdakay@uclink.berkeley.edu

    Kay, Magda. "The Metaphysical Sonnets of John Donne and Mikolaj Sep Szarzynski: A Comparison." Early Modern Literary Studies http://purl.oclc.org/emls/09-2/kaysep.html

  • I. The Poets T. S. Eliot draws an important distinction between Metaphysical language and structure: "the language of these poets is as a rule simple and pure;…the structure of the sentences, on the other hand, is sometimes far from simple, but this is not a vice; it is a fidelity to thought and feeling." This is especially true of Sep. Donne's complex syntax stretches the bounds of language, but he aids the reader in piecing together the puzzle with commas and paraphrases: "Beauty, of pitty, foulnesse only is / A signe of rigour: so I say to thee, / To wicked spirits are horrid shapes assigned." We may compare this to Sep: "Ten nasz dom-cialo, dla zbieglych lubosci / Niebacznie zajzrzac duchowi zwierzchnosci, / Upasc na wieki zadac nie przestanie"
  • 72. Donne,John Books (Used, New, Out-of-Print) - Alibris,
    Alibris has new used books by Donne,John, including hardcovers, softcovers, rare, outof-print first editions, signed copies, and more.
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    73. [EMLS SI 7 (May, 2001): 10.1-26] "I Haue Often Such A Sickly Inclination": Biogr
    R. G. Siemens suggests that the tract should be read as a detached . . . examination of the moral implications of an action, rather than a reflection of Donne s state of mind.
    http://extra.shu.ac.uk/emls/si-07/siemens.htm
    "I haue often such a sickly inclination": Biography and the Critical Interpretation of Donne's Suicide Tract, Biathanatos
    R. G. Siemens
    Malaspina University-College
    siemensr@mala.bc.ca
    Siemens, R. G. " 'I haue often such a sickly inclination': Biography and the Critical Interpretation of Donne's Suicide Tract, Biathanatos ." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/siemens.htm
  • As we live in an age that accepts, and at times embraces, the notion that the personal is political and that personal politics are professional politics, it is odd that Donne's Biathanatos (written 1607-8, printed 1647) a tract that Evelyn Simpson found to be "an exercise in casuistry on the subject of suicide" is not seen by most as a document indicative of the personal condition of its author at the time it was written. Views on this aspect of the work do range rather widely, from Ernest Sullivan's contention that "neither [Donne's] personal life nor the text validate reading Biathanatos as autobiographical introspection" to John Carey's assertion that Biathanatos "constituted a giant suicide note, always ready for use."
  • 74. What's New
    OnLine Text Genre Memoir Keywords Art of Medicine, Caregivers, Communication, Death and Dying, Disease and Health, History of Medicine, Illness Narrative/Pathography
    http://litmed.med.nyu.edu/Annotation?action=view&annid=1128

    75. [EMLS SI 7 (May, 2001): 7.1-21] John Donne's "Lamentations" And Christopher Feth
    Ted-Larry Pebworth argues that Donne engaged the 1587 edition of Fetherstone s Lamentations to translate the text into English.
    http://extra.shu.ac.uk/emls/si-07/pebworth.htm
    John Donne's "Lamentations" and Christopher Fetherstone's Lamentations . . . in prose and meeter
    Ted-Larry Pebworth
    University of Michigan-Dearborn
    pebworth@umich.edu
    Pebworth, Ted-Larry. "John Donne's 'Lamentations' and Christopher Fetherstone's Lamentations . . . in prose and meeter (1587)." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/pebworth.htm
  • One of the most important issues in the study of Donne's skillful but until recently neglected poetic translation of "The Lamentations of Jeremy, for the most part according to Tremellius" concerns which translations of Lamentations other than Tremellius' Latin rendering Donne may have consulted as he versified Jeremiah's song of tribulation. Various twentieth-century scholars and critics have seen in Donne's wording and phrasing traces of the Geneva translation, and less convincingly the Vulgate and even the Authorized Version. What none have so far noticed, however, is another pair of translations that Donne must certainly have consulted, published together in 1587 as The Lamentations of Ieremie, in prose and meeter, with apt notes to sing them withall: Togither with Tremelius his annotations, translated out of Latin into English by Christopher Fetherstone, for the profit of all those to whom God hath giuen an in-sight into spirituall things
  • 76. Donne, John (Ftrain.com)
    Ftrain.com. PEEK. Ftrain.com is the website of Paul Ford and his pseudonyms. There is a Facebook group. And sixwords-only Twitter posts. See also Gary Benchley, Rock Star, a
    http://www.ftrain.com/JohnDonne.html

    77. [EMLS SI 7 (May, 2001): 11.1-36] "Witness This Booke, (thy Emblem)": Donne's Hol
    Diana Trevi o Benet argues that the sonnets have been widely studied in terms of the poet s theology, but their recourse to biography deserves critical attention.
    http://extra.shu.ac.uk/emls/si-07/benet.htm
    "Witness this Booke, (thy Emblem)": Donne's Holy Sonnets and Biography
    Diana Treviño Benet
    New York University
    dianabenet@aol.com
    Benet, Diana Treviño. "'Witness this Booke, (thy Emblem)': Donne's Holy Sonnets and Biography." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/benet.htm
  • John Donne's Holy Sonnets have not endured because they are good "devotional" poetry. Readers who turn to these poems expecting piety, guidance (however artful), or anything like the varied spiritual perspective of George Herbert, for instance, are bound to be surprised or disappointed. Donne's sonnets do not feature an everyman expressing typical Christian problems or aspirations. Quite the contrary. A unique voice compels our attention, thrilling us even before we understand precisely what it is saying, shattering the decorous bounds of devotion with its force of expression. The immense aesthetic pleasure afforded by these poems consists in large part of hearing a vivid and original voice that rings, as it considers religious subjects, not with anything as feeble as piety, but with wit, energy, and drama. The same voice animates the secular poems, and, from the beginning, it has been identified as the voice of John Donne.
  • With the exception of biographers and cultural historians, who have linked the
  • 78. [EMLS SI 7 (May, 2001): 13.1-16] Britten And Donne: Holy Sonnets Set To Music
    Bryan N. S. Gooch argues that the ordering of the Sonnets in Britten s Opus 35 reflects the composer s personal experience of visiting German concentration camps.
    http://extra.shu.ac.uk/emls/si-07/gooch.htm
    Britten and Donne: Holy Sonnets Set to Music
    Bryan N. S. Gooch
    University of Victoria
    Gooch, Bryan N.S. "Britten and Donne: Holy Sonnets Set to Music." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/gooch.htm
  • Attempts to approach Benjamin Britten's The Holy Sonnets of John Donne , Opus 35, whether as performer, listener, or analyst, may well be marked by some unease, for this cycle contains nine of Donne's challenging texts in which the poet, in part, wrestles not only with God but with himself and this world, and which are set to music by a brilliant composer-pianist (I do not use the phrase loosely) for a vigorous and superbly talented tenor (Peter Pears), who had been a major musical collaborator and friend since March of 1934, just over eleven years before the Donne settings were completed. Thought by some to be less accessible than Seven Sonnets of Michelangelo , Opus 22 (1940) the first work to be written especially by Britten for Pears the Holy Sonnets display a maturity, a textural unity and complexity, and a sure-footedness and confidence in his singer that one suspects could only have come after the writing of
  • 79. [EMLS SI 7 (May, 2001): 12.1-43] Trumpet Vibrations: Theological Reflections On
    G. Richmond Bridge relates the octave of Holy Sonnet VII to the substance of much millenarian thought and preaching.
    http://extra.shu.ac.uk/emls/si-07/bridge.htm
    Trumpet Vibrations: Theological Reflections on Donne's Doomsday Sonnet
    G. Richmond Bridge
    St. Paul's Episcopal Church, New Smyrna Beach, Florida Bridge, G. Richmond. " Trumpet Vibrations: Theological Reflections on Donne's Doomsday Sonnet ." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/bridge.htm
  • John Donne's Doomsday sonnet, "At the round earths imagin'd corners," may have particular interest in a new millennium. For the octave of this apocalyptic sonnet is a graphic portrayal of the Last Day, which is the substance of much millenarian thought and preaching: At the round earths imagin'd corners, blow
    Your trumpets, Angells, and arise, arise
    From death, you numberlesse infinities
    Of soules, and to your scattred bodies goe,
    All whom the flood did, and fire shall o'erthrow,
    All whom warre, dearth, age, agues, tyrannies,
    Despaire, law, chance, hath slaine, and you whose eyes,
    Shall behold God, and never tast deaths woe.
  • 80. [EMLS SI 7 (May, 2001): 8.1-51] "The Strangest Pageant, Fashion'd Like A Court":
    William F. Blissett suggests that a Jonson reference to a Dr. Done . . . encourages a consideration of the parallel literary lives of Jonson and Donne.
    http://extra.shu.ac.uk/emls/si-07/blissett.htm
    "The strangest pageant, fashion'd like a court": John Donne and Ben Jonson to 1600 Parallel Lives
    William F. Blissett
    University of Toronto Blissett, William F. "'The strangest pageant, fashion'd like a court': John Donne and Ben Jonson to 1600 Parallel Lives." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/blissett.htm
  • Criticus: that was the name Ben Jonson chose for the judging figure in The Fountain of Selfe-Love, or Cynthia's Revels , acted in 1600 and published in quarto in 1601. In the folio of 1616 he reversed title and subtitle and, repeating a phrase he had devised for Every Man Out of his Humour (1600), called it and Poetaster "comicall satyres." For consistency with other characters' Greek names (except Mercury and Cupid), he changed the Latin Criticus to the Greek Crites . The figure is generally regarded as a spokesman for the author and often as an idealized self-portrait, laying Jonson open to the charge of having himself drunk of the fountain of self-love. Addressing his readers in the quarto of Sejanus (1605), Jonson mentions his "Observations upon Horace his Art of Poetry, which (with the text translated) I intend, shortly to publish." This publication did not take place, and indeed only the translation appeared, after Jonson's death. In the
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