Pirasudham Poker Room Thais Prefer Not to Whistle a Happy Tune In these days of media overload and wall-to-wall advertising, the phrase “there’s no such thing as bad publicity” has become quite common. Indeed, many people make their names and fortunes based on scandals and notoriety rather than achievement. However, Thailand has always had a rather fraught relationship with one of the most famous stories about the country: namely, the account of Anna Leonowens’ time as a teacher of the royal children during the last years of the reign of King Mongkut. The most famous film version of this story is the 1956 musical directed by Robert Lang, which also has a live theater version that is slightly different and includes more songs. There was also an earlier, non-musical version starring Rex Harrison as the king. In 1999, another non-musical version was released, this time starring Chow Yun Fat as King Mongkut and Jodie Foster as the foreign teacher. Filming was prohibited in Thailand, so the production had to be shot in Malaysia. None of the film versions of the story are to be shown in public, and no plays about it can be performed. However, you will find that this reluctance is not only a matter of official policy. Even the ordinary “person on the street” in Thailand is likely to be affronted by the stereotypes depicted in the above films. Mention of this film is likely to draw glares and offended silence from Thais. No, they are not irritated by the earworm-esque songs on the soundtrack. Rather, it is the portrayal of King Mongkut that they find so offensive. Hollywood did assign a charismatic, handsome actor (namely, Yul Brynner) to the role. However, the script is far from flattering. Yes, the King is portrayed as an intelligent, fascinating man with a commanding presence. However, he is ultimately shown as a misguided despot who needs the love of a white woman. | |
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