41. Links On "Staten Island Shakespearean Theatre" | Facebook Facebook is a social utility that connects people with friends and others who work, study and live around them. People use Facebook to keep up with friends, upload an unlimited http://www.facebook.com/posted.php?id=82549765778

42. Ashland Southern Oregon Rogue Valley And Shakespearean Theatre Ashland in Southern Oregon Rogue Valley and Shakespeare Festival and Shakespearean theatre theater. Jackson County, historical towns and cities. http://www.rogueweb.com/ashland/

Ashland Oregon Profile Page Ashland is located 15 miles north of the California border on Interstate 5 at the south end of the Rogue Valley, sitting at about 2,000 feet above sea level. Mt. Ashland looms above the city to the South, 7,500 feet high, and the Cascade Range lies about 30 miles to the east. Ashland offers qualities of life that many towns only dream about. Snow-capped mountain peaks, a major theater company joined by other smaller theaters, art galleries, museums and fine restaurants offer a truly picturesque setting. Ashland is a unique place, offering a ski resort in the winter, and three other distinctive seasons. With its warm summers and mild climate, Ashland is an excellent place to garden. The climate is so good, in fact, that Ashland had an active agricultural industry around the turn of the century. The Rogue Valley is still known as "pear country," and you can see trees from the old orchards around town. The climate is also conducive to growing grapes, and Ashland has two local wineries. Ashland has an active and varied theatrical community. Home to the Oregon Shakespeare Festival, Ashland also boasts nine other theater groups, which perform a wide variety of productions, including musicals, comedies, and experimental theater, all year long.

43. Shakespearean Theatre Vocabulary: Darkness, Ghosts And Vanishing 1. GENERAL HEADING Video and Film Analysis. 2. TITLE OF EXERCISE Shakespearean Theatre Vocabulary Darkness, Ghosts and Vanishing 3. GOALS To explore the theatrical http://www.tamut.edu/english/folgerhp/Recipes/8shthvoc.html

1. GENERAL HEADING: Video and Film Analysis 2. TITLE OF EXERCISE: "Shakespearean Theatre Vocabulary: Darkness, Ghosts and Vanishing" 3. GOALS: To explore the theatrical possibilities for communicating darkness and vanishing on Shakespeare's stage. 4. NUMBER OF STUDENTS: Any number of students. 5. EQUIPMENT AND SUPPLIES: VCR; videotapes and scripts of scenes in which darkness is dramatically important, or in which ghosts vanish from the scene. Alan Dessen's handout cited the suggestions for darkness in the stage directions of Heywood's The Iron Age , and Tailor's The Hog Hath Lost His Pearl ; the editorial variants of accounting for the movements of Demetrius and Lysander as they miss each other in the dark wood in 3.2 of A Midsummer Night's Dream ; and the stage directions for the ghosts in Richards' Messalina , Goffe's The Raging Turk 1 Hieronimo , and 5.3 of Shakespeare's Richard III . He provided videotapes of the ghost sequence (5.3) in Jane Howell's BBC video of Richard III and of the Puck-Demetrius-Lysander chase (3.2) in Peter Hall's video of

44. The British Theatre Guide: Performances Of Mourning In Shakespearean Theatre And A review of the book Performances of Mourning in Shakespearean Theatre and Early Modern Culture by Tobias D ring http://www.britishtheatreguide.info/articles/261006.htm

Sign up for our Newsletter Articles Links Articles News Reviews Amateur Theatre Contact ... Other Resources Performances of Mourning in Shakespearean Theatre and Early Modern Culture Palgrave Macmillan Dateline: 26th October, 2006 Shakespeare's Hamlet is surely the archetypal mourner of English literature. His grief is made all the more conspicuous by the Danish court's celebration of his mother's over-hasty second marriage, yet the prince himself hints that there is something self-consciously stagey about "the trappings and the suits of woe" - the outward signs of mourning can all too easily "seem" to show grief where there is none (and, as Feste reminds Olivia, it is foolish to mourn if the deceased is believed to be in heaven). Tobias Döring's intriguing new book explores the ways in which theatrical shows of mourning reflect their real-life counterparts in post-Reformation English culture. One of the most controversial changes introduced by Protestant reformers was of course the abolition of Purgatory. If the living could no longer help the dead by offering prayers and masses, their grief had to find an outlet in other ways. Remembrance of the dead took on a new importance, and in Shakespeare's history plays the famous dead are resurrected to re-enact their stories.

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