21. 2010 EXHIBITORS Cinematography Staging/Truss 71% 39% 33% 12% 41% 26% 11% 32% Theater Film Corporate Clubs Concerts Theme Parks Architecture 61% 50% 46% 33% 33% 22% 22% http://ldishow.com/LDI10/Public/Content.aspx?ID=1010376&sortMenu=103000

22. LSI Online News - Ground Zero And Rapenburg Plaza Rapenburg Plaza will focus on lighting design, showcontrol design and programming for theatre, opera, film, museums, TV, theme parks, architecture etc. http://www.lsionline.co.uk/news/?-C35Y8R

23. How To Think About Public Art - Aesthetic Grounds Respect continues to expand for artists in the corporate or spectacular arts movies, music videos, concerts, advertising, fireworks, theme parks, architecture (and some urban http://www.artsjournal.com/aestheticgrounds/2008/09/how_to_think_about_public_ar

an ARTSJOURNAL ArtsJournal Home AJ Blog Central Aesthetic Grounds Public Art, Public Space How to Think about Public Art How to think about public art? Do you just keep doing the same thing? Big art? Architectural intimacy? Site-specific narrative? Locally responsive? Internationally, public art has been institutionalized as the founder's dreamed in the 1960 and 1970s. Big - intimate - narrative - responsive. Most importantly, appreciated by a small, but growing group, and accepted by most. Richard Serra's "Tilted Arc" would NEVER be removed today. What was not anticipated was 1.) public art as a defined field separate from museum art and 2.) global uniformity. They could not have imagined 1.) daily Internet access to any public artwork and 2.) participation in public art through cell phones and Internet. What has not materialized in the USA is 1.) respect for the individual artistic career and 2.) pride (or tolerance) in a culture that sponsors artworks of political and social content. Respect continues to expand for artists in the corporate or spectacular arts - movies, music videos, concerts, advertising, fireworks, theme parks, architecture (and some urban space or landscapes). For time being, the Internet provides the public venue for creative public works in politics and social observation.

24. InfoComm International Audiovisual (AV) Prism Projection’s RevEAL CW Wins At A Designed for TV studios, film productions, theater, worship, events, theme parks, architecture and other nocompromise applications, the RevEAL CW is a robust, environmentally http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/15114.htm

Username or Password Look-up Not a Member? Join InfoComm InfoComm Certified Professionals Directory Member Directory About the Industry Publications Market Research Press Room ... About InfoComm infoComm news InfoComm Update: November 3 CTS News: October 2010 Press Releases: Recent RSS Feeds Home Industry News ... PDF Prism Projection’s RevEAL CW Wins at ABTT Theatre Show in London SOURCE: Prism Projection · RELEASED: 7/26/2010 Prism Projection, Inc., the manufacturer of professional, solid-state LED lighting products, continues to collect awards for its RevEAL Color Wash (RevEAL CW), a fixture already gaining a reputation for its unparalleled color rendering, palette, repeatability and beam quality. At the 32nd Association of British Theatre Technicians’ (ABTT) 2010 Theatre Show in London in June, RevEAL CW was awarded Best New Lighting Product honors. The ABTT advises on safety and good practices in the British theater industry and provides in-service training and seminars for members; it holds an annual Theatre Show of backstage and front-of-house equipment and supplies. The Award was presented to White Light, RevEAL’s UK distributor, as well as Prism Projection. Judges for the ABTT’s product awards ceremony praised the RevEAL CW’s flat field, color-correcting ability and overall efficiency. Designed for TV studios, film productions, theater, worship, events, theme parks, architecture and other no-compromise applications, the RevEAL CW is a robust, environmentally-friendly fixture featuring TrueSource™ optical and color LED management technology for precise and repeatable color and optimum optics, multi-primary color mixing and optical feedback.

25. LEXUS Taste Of c r e a t i v e d e s i g n s o l u t i o n s HOME EVENTS INDUSTRIALS THEATRICAL/THEME PARKS ARCHITECTURE http://ertelinc.com/LEXUStasteof.htm

Ertel Inc. c r e a t i v e d e s i g n s o l u t i o n s HOME EVENTS INDUSTRIALS THEATRICAL/THEME PARKS ... CONTACT "Taste of Lexus" Tour Concept - AMCI

26. Newsgroups Workspace.theme_follows_function In a way that bears relation to theme parks, architecture can be brought into a direct relation to its inhabitants The architectural experience is transformed into a cocktail http://www.medialounge.net/lounge/workspace/newsgroups/workspace/theme_follows_f

Newsgroups: workspace.theme_follows_function previous top workgroup thread next Subject: sound effects From: fat@fat.co.UK (fat) Date: 13 Aug 1997 21:05:17 +0200 Fashion Architecture Taste SOUND EFFECTS 1. Foley Stage Architecture - In a kind of architecture that is concerned with experience, it is the Foley effect that is primary. In a way that bears relation to theme parks, architecture can be brought into a direct relation to its inhabitants - The architectural experience is transformed into a cocktail of the event and its container. A range of techniques become important in the making of architecture that are traditionally exluded, techniques that have a closer affinity to cinema, funfairs, and other environments of entertainment. Amongst these technologies of pleasure, sound provides a powerful modifier of experience. The Foley stage is the place where the sound effects that enhance and augment the visual experience of movies are created. Whether by the evocative suggestion of other places by iconographic soundscapes, or by the relationship between particular events and a corresponding sound effects, the architectural

27. Lighting&Sound America Online - News lighting products, has introduced the RevEAL Color Wash CW TrueSource (RevEAL CWTS) designed for TV studios, film productions, theatre, worship, events, theme parks, architecture http://www.lightingandsoundamerica.com/news/story.asp?ID=EEMQFE

28. Jody - Viewing Profile - IOACentral Birthday January 3, 1993 Gender Male Location Waycross, GA Interests Magic, Technology, Theme Parks, Architecture, Design, Art http://boards.ioacentral.com/index.php?showuser=1435

29. Projects c r e a t i v e d e s i g n s o l u t i o n s HOME EVENTS INDUSTRIALS THEATRICAL/THEME PARKS ARCHITECTURE/OTHER CONTACT http://ertelinc.com/Projects.htm

Ertel Inc. c r e a t i v e d e s i g n s o l u t i o n s HOME INDUSTRIALS THEATRICAL/THEME PARKS ARCHITECTURE/OTHER ... CONTACT Our Clients: Walt Disney Studios Special Events Group Walt Disney Studios Home Entertainment Walt Disney Entertainment DreamWorks Animation Disneyland Entertainment Jack Morton Worldwide SeaWorld Orlando AMCI Chris Laue Productions MSI Exline Design

30. Florida Nightlife, Night Clubs And Bars | Florida Vacation, Tourism, Travel & En Historical Sites Sunsets History Holidays Historic Districts Deals Fishing Antiques Diving Lighthouses Outdoors And Nature Been There Havent Done That Theme Parks Architecture Piers Art And http://www.visitflorida.com/nightlife

31. Miami, 3rd-most Visited City By Foreigners (Orlando: Hotels, Schools, Wage) - Fl Business, conventions, cruises, beaches, zoo, theme parks, architecture, schools, art exhibits, museums, jobs, fashion shows, festivals, sports events, and not to mention the whole http://www.city-data.com/forum/miami/346822-miami-3rd-most-visited-city-foreigne

City-Data Forum U.S. Forums Florida Miami Miami, 3rd-most visited city by foreigners (Orlando: hotels, schools, wage) User Name Remember Me? Password Register Search Today's Posts Mark Forums Read Miami Miami-Dade County Welcome to City-Data.com forum! Make sure to register - it's free and very quick! You have to register before you can post and participate in our discussions with 900,000 other registered members. User profiles and some forums can only be seen by registered members. After you create your free account you will be able to customize many options, you will have the full access to over 15,000 posts/day about local topics and you will see fewer ads. Jump to a detailed profile or search site with Search Forums Advanced Business Search 14 Million verified businesses Search for: near: Page 1 of 2 06-05-2008, 02:30 PM kevinkagy Senior Member Join Date: Feb 2008 Location: Miami 763 posts, read times Reputation: 164 Miami, 3rd-most visited city by foreigners Miami has passed San Francisco and Orlando as the 3rd-most visited city in the U.S. by foreigners for 2007. Miami is expected to pass Los Angeles in the next two years, as they are both almost neck-and-neck, and Miami is experiencing a huge increase in tourism. 1. New York City

32. InfoComm International Audiovisual (AV) Prism Projection Unveils RevEAL CW TrueS products, has introduced the RevEAL Color Wash CW TrueSource(tm) (RevEAL CWTS) designed for TV studios, film productions, theater, worship, events, theme parks, architecture and http://www.gentner.com/cps/rde/xchg/infocomm/hs.xsl/14993.htm

Username or Password Look-up Not a Member? Join InfoComm InfoComm Certified Professionals Directory Member Directory About the Industry Publications Market Research Press Room ... About InfoComm infoComm news InfoComm Update: November 3 CTS News: October 2010 Press Releases: Recent RSS Feeds Home Industry News ... PDF Prism Projection Unveils RevEAL CW TrueSource, Professional LED Color Wash SOURCE: Prism Projection · RELEASED: 8/2/2010 Prism Projection, Inc., a manufacturer of professional solid-state LED lighting products, has introduced the RevEAL Color Wash CW TrueSource(tm) (RevEAL CW-TS) designed for TV studios, film productions, theater, worship, events, theme parks, architecture and other no-compromise applications. The RevEAL CW-TS TrueSource is the second generation Color Wash product combining several new features to the overwhelmingly successful RevEAL CW. The new features are now managed through an LCD display increasing the flexibility and functionality of use. "Prism Projection's technology unlocks the potential of LEDs to provide lighting instruments with exceptional utility and quality previously available only in conventional sources," notes Prism Projection president and founder Garrett Young. "Our new CWTS is the result of several years of intense and dedicated work by accomplished engineers and physicists. It is an environmentally-friendly and sustainable solution for any space where a professional look and feel is desired." The RevEAL CWTS with its LCD display and push button control boasts Prism Projection's TrueSource(tm) optical and color LED management technology for precise and repeatable color. TrueSource impacts the fixture's optics, multi-primary color mixing, and optical feedback. The fixtures also provide for local control or control via DMX and displays in real-time the exact CIE coordinates of the the color being produced including the CCT values of white light. The RevEAL CW-TS maintains the incredibility high CRI white values and an even larger color gamut.

33. Set Design And Architectural - Model Making - Kenneth A. Larson I've built models for Visual Effects, Theme Parks, Architecture, Aerospace, study, and display. Since 1996 I have worked exclusively as a Set Designer and while mostly doing 2D CAD http://www.setdesigner.biz/code/3d_models0.shtml

Traditional and Computer Aided Design and Graphics Los Angeles, California, USA, Terra, Solar System Sol, Milky Way Galaxy, Local Group, Virgo Super Cluster, Local Universe Set Design - 3D, Computer Models, Computer Renderings, Pre-Vis for Motion Picture, Television, Theme Park - Kenneth A. Larson Most of my first two decades in the entertainment industry were spent designing and building models. I've built models for Visual Effects, Theme Parks, Architecture, Aerospace, study, and display. Since 1996 I have worked exclusively as a Set Designer and while mostly doing 2D CAD, I have done many 3D CAD and computer modeling. Note: These images are presented here for portfolio purposes only. These images are not available for sale or to be given away in hard copy or digitally in any scale. I will be happy to show hard-copy during a legitimate job interview for Set Designer. This page in development. Over the next few weeks I hope to gather together the hundreds of computer models I've made for various reasons and clients, using AutoCAD, Virtus Walk-Through/ConceptCAD, VectorWorks, Rhino, and Sketchup, into an organized presentation. Until then, you can slog through the old web site at kesigndesign.com

34. Don Guy - Curriculum Vitae of industry standards and professional methods. Designer and/or project coordinator for numerous entertainment fields including theatre, dance, opera, theme parks, architecture http://www.donguyld.com/cv.htm

DON GUY EDUCATION M.F.A. , Lighting Design, University of California-Irvine, Irvine, CA, B.A. , Theatre, University of Alabama, Tuscaloosa, AL QUALIFICATIONS Working knowledge of industry standards and professional methods. Designer and/or project coordinator for numerous entertainment fields including: theatre, dance, opera, theme parks, architecture, industrials, casinos, television, film, concerts, and special events. Skilled in the use of industry standard computer programs including: AutoCAD, Vectorworks, Lightwright, Adobe PhotoShop, Adobe Premiere, Adobe Illustrator, PowerPoint, Word, Excel, Filemaker Pro, Lumen Micro, 3D Studio Max, Lightscape, AGI, Macromedia Suite, and LightWave. Experienced Designing and Programming automated lighting systems including: Martin, High End, Vari-Lite, Clay Paky, Morpheus, Studio Due, Wybron, and Irideon. Experienced Designing with Audio Software including: Pro Tools, SoundForge, Cakewalk, Cool Edit Pro, GoldWave, and JBL Smaart. Demonstrated proficiency in high pressure and fast-paced production situations. Strong communication skills to allow for collaboration.

35. Making The Arcane Commercial | Pittsburgh Business Times Even those armed with a bachelor's degree from Carnegie Mellon University's prestigious drama department are more likely to work at theme parks, architecture firms, museums and http://www.bizjournals.com/pittsburgh/stories/1998/11/09/focus1.html

36. Cardinalgill biking, climbing, diving, extreme sports, golf, skiing, surfing, beach activities, food and drink, gambling, music, nightlife, theme parks, architecture, art galleries, cinema, http://mapvivo.com/traveler/cardinalgill

37. Bedicou biking, hiking, skiing, swimming, tennis, camping, festivals events, meditation, music, theme parks, architecture, art galleries, history, holy/sacred, languages, monuments, http://mapvivo.com/traveler/bedicou

38. Digitalics And Architecture In amusement parks and theme parks, architecture has long been used to help generate an emotional experience, its existence justified beyond the mere functionality of its http://www.arch.cuhk.edu.hk/server1/staff1/marcaurel/references/index.htm

Digitalics and Architecture References Below you find a list of readings. This list is not exclusive or complete. It serves as initial starting point for your theoretical reading. Please email me updates and suggestions: marcaurel@usyd.edu.au Please also refer to: ArchiText Bookshop at: http://www.architext.com.au/Cat/graph.htm#Digital%20Architecture Books: Animation by Regine Dahmen -Ingenhoven In amusement parks and theme parks, architecture has long been used to help generate an emotional experience, its existence justified beyond the mere functionality of its external structures. This book investigates this global trend. Using visual images, structured arguments and analytical texts, it explains how animation architecture functions. Birk Germany Animate Form , by Lynn, Greg. (1998). Princeton: Princeton Architectural Press. “Animate Form" is a book and interactive CD-ROM of recent architectural projects designed by Form, the office of Greg Lynn. The projects documented here explore the potential of time-based animation techniques to inform architectural design. Historically, architecture has been considered static, fixed, and inert. Through the use of state-of-the-art animation and special-effects software, Lynn transforms space and form into highly plastic, flexible, and mutable entities. He uses topological geometries to bend, twist, deform, and differentiate structure, creating unprecedented departures from preconceived notions of architecture. In experimenting with these new methods and media

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