1. Giornate 2007 - Eventi Speciali / Special Events both 1934), and The Bride of Frankenstein (1935), but like Baby Peggy (and unlike many other child stars) she found later success away from movies – in vaudeville, radio, theatre http://www.cinetecadelfriuli.org/gcm/ed_precedenti/edizione2007/EventiSpec_JeanD

EVENTI SPECIALI/ SPECIAL EVENTS: Jean Darling English Carousel ... alla magia Seguirono ruoli in Jane Eyre Babes in Toyland (entrambi del 1934) e The Bride of Frankenstein Carousel , di Rodgers e Hammerstein, a Broadway. La sua autobiografia A Peek at the Past Noisy Noises The Old Wallop potrebbe esistere solo a 9,5mm. E non risulta che si siano conservati affatto quelli che sembrano essere alcuni tra i migliori film di Jean: Yale vs. Harvard Growing Pains e Our Gang Carousel Contemporaries at Hal Roach were Laurel and Hardy, and she would often sneak onto their set to watch. Oliver Hardy taught her more about comedy than anyone else. She was particular friends with Stan Laurel, Charley Chase (she appeared in one or two of his starring shorts), and Jean Harlow (she says Hal Roach got the idea for her bleached hair style from her). She also has stories of encounters with Roscoe Arbuckle, Marion Davies, Garbo, and Clark Gable. Feature roles followed in Jane Eyre and Babes in Toyland (both 1934), and The Bride of Frankenstein Carousel on Broadway. Her autobiography

2. By Scott Miller political and experimental work, as well as reinvented classics, puppet theatre, children’s theatre, Black theatre, soviet theatre, touring theatre, vaudeville, radio theatre http://newlinetheatre.com/cradlechapter.html

by Scott Miller In 1947, The New York Times said that The Cradle Will Rock “has qualities of genius . . . It catches fire, it blazes, it amuses and grips the listener.” It’s a wonderful musical, a powerful political document, a funny, potent satire, and a remarkable piece of theatre history. If someone didn’t know already know the work of its composer Marc Blitzstein, they might say the score sounds like the music of German composer Kurt Weill ( Threepenny Opera ) mixed with Stephen Sondheim ( Assassins, Sweeney Todd, Passion, Into the Woods) Cabaret, Chicago ) sprinkled on top. Of course Cradle Cabaret, Hair, Pippin, Chicago, Assassins, and Rent . And like Chicago , it is thoroughly of its time and yet it doesn’t feel dated. There are just as many whores in politics, religion, academia, and the arts today as there were in the 1930s. As televangelists make millions and live in gilded mansions, as politicians receive gifts and campaign contributions from giant corporations, foreign powers, and other special interests, The Cradle Will Rock will always seem as if it could have been written last month. And now, with the fresh memories of the terrorist attacks on the World Trade Center and the Pentagon, Reverend Salvation’s shifting exhortations about war hit perhaps too close to home.

3. Www.algebraic.net vaudeville radio theatre van buren martin us president index utah education staff development us international trade us geography index university libraries index http://www.algebraic.net/cgi-bin/988.cgi?q=Louis-Victor Pierre Raymond de Brogli

4. Vaudeville & Radio Theatre - Education Resource - StudySphere Education Portal, Educational Resource for language school, study abroad, education online, education, school, high school, career education, business school, driver education http://www.studysphere.com/education/Other-Performing-Arts-Vaudeville-and-Radio-

5. Vaudeville & Radio Theatre - Arts, Performing Arts, Other Performing Arts, Vaude (Vaudeville Radio Theatre)StudySphere Educational Resource for language school, study abroad, education online, education, school, high school, career education, business school http://www.studysphere.com/Site/Sphere_10331.html

6. An Analysis Of political and experimental work, as well as reinvented classics, puppet theatre, children’s theatre, Black theatre, soviet theatre, touring theatre, vaudeville, radio theatre http://www.newlinetheatre.com/cradle.html

THE CRADLE WILL ROCK An analysis by Scott Miller In 1947, The New York Times said that The Cradle Will Rock "has qualities of genius . . . It catches fire, it blazes, it amuses and grips the listener." It’s both a wonderful musical and a remarkable piece of theatre history. If someone didn’t know already know the work of its composer Marc Blitzstein, they might say the score sounds like Kurt Weill mixed with Stephen Sondheim, maybe with a little Kander & Ebb sprinkled on top. Of course Cradle came twenty years before Sondheim’s first musical and nearly thirty years before Kander & Ebb’s first big hit. Blitzstein called his show "a labor opera composed in a style that falls somewhere between realism, romance, vaudeville, comic strip, Gilbert & Sullivan, Brecht, and agitprop." It was the first American musical from a working class perspective. It laid the groundwork, in its politics and its episodic construction, for later shows as varied as Cabaret, Hair, Pippin, Chicago, Assassins, and Rent . And like Chicago , it is thoroughly of its time and yet it doesn’t feel dated. There are just as many whores in politics, religion, academia, and the arts today as there were in the 1930s. As televangelists make millions and live in gilded mansions, as politicians receive gifts and campaign contributions from giant corporations, foreign powers, and other special interests

7. Launching Films - Film Distributors' Association Although he fought as an amateur boxer, his huge career as an entertainer spanned vaudeville, radio, theatre and television, as well as about fifty movies. http://www.launchingfilms.com/tributes/tributes.php?name=Bob Hope (1903 - 2003)&

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