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         Jonson Ben:     more books (100)
  1. The devil is an ass by Ben, 1573?-1637 Jonson, 2009-10-26
  2. THE WORKS OF BEN JOHNSON IN SIX VOLUMES by Ben (1573?-1637) Jonson (Johnson), 1716
  3. The case is altered by Ben Jonson 1573?-1637 Selin William Edward, 1917-12-31
  4. Epicoene; or, The silent woman by Ben Jonson 1573?-1637 Henry Aurelia 1877- ed, 1906-12-31
  5. Catiline his conspiracy by Ben Jonson 1573?-1637 Harris Lynn Harold ed, 1916-12-31
  6. The magnetic lady; or Humors reconciled by Ben Jonson 1573?-1637 Peck Harvey Whitefield ed, 1914-12-31
  7. The Cambridge Companion to Ben Jonson (Cambridge Companions to Literature)
  8. Ben Jonson's Plays and Masques (Second Edition) by Ben Jonson, Richard Harp, 2000-09
  9. Every Man in His Humour: Quarto Version (Revels Plays) by Ben Jonson, 2000-10-13
  10. Ben Jonson in Context
  11. Ben Jonson and the Cavalier Poets (Norton Critical Editions) by Ben Jonson, 1975-01-17
  12. The Devil Is an Ass: And Other Plays (Oxford World's Classics) by Ben Jonson, 2009-10-04
  13. The Alchemist and Other Plays: Volpone, or The Fox; Epicene, or The Silent Woman; The Alchemist; Bartholomew Fair (Oxford World's Classics) by Ben Jonson, 2009-03-15
  14. New Perspectives on Ben Jonson

41. Jonson, Ben
Jonson, Ben Encyclopedia article; The Columbia Encyclopedia, Sixth Edition, 2004. Read Jonson, Ben at Questia library.
http://www.questia.com/read/101252152
questia.Dictionary.domain = 'questia'; Letter A Letter B Letter C Letter D ... Letter Z addthis_url = 'http://www.questia.com/read/101252152'; addthis_title = 'Jonson, Ben'; addthis_pub = 'ahanin'; This feature allows you to create and manage separate folders for your different research projects. To view markups for a different project, make that project your current project. This feature allows you to save a link to the publication you are reading or view all the publications you have put on your bookshelf. This feature allows you to save a link to the page you are reading, which you can later return to from Projects. This feature allows you to highlight words or phrases on the publication page you are reading. This feature allows you to save a note you write on the publication page you are reading. This feature allows you to create a citation to the page you are reading that you can paste into your paper. Highlight a passage to include that passage as a quotation. This feature allows you to save a reference to a publication you are reading for your bibliography or generate a bibliography you can paste into your paper.

42. Ben Jonson And Cervantes*
Yumiko Yamada suggests that while many studies of Cervantes make connections to Shakespeare, the connection to Jonson deserves more critical attention.
http://www.uv.es/~fores/YamadaYumiko.uk.html
Ben Jonson and Cervantes by Yumiko Yamada
As the title shows, this book aims to find analogies between Ben Jonson and Cervantes , by seeing how the leading humanist of the age would have read and responded to Don Quixote A common reaction to this might be "Why Ben Jonson, not Shakespeare?" Ever since Turgenev's celebrated lecture at a Paris in 1860, Shakespeare has been most closely linked with Don Quixote . The bond was tightened this century by Ortega in 1914 and Foucault (1966). [ Don Quixote King Lear and Macbeth were written in the selfsame year of 1605", he asserts, in ecstasy at the revelation that the two writers in fact are one and the same person, and that Cervantes created Shakespeare's plays in England, while Shakespeare composed Don Quixote in Spain. [ Turning our eyes to the academic field, almost all Cervantes studies refer to Shakespeare, and it is equally hard, it might be added, to find studies mentioning Jonson. [ ] Now that the pairing of the twin geniuses has been established as if irrefutable fact, it is a Herculean task to insert Jonson in the place of Shakespeare. If we suspend our preconceptions and observe the historical background, we may find the bond between Cervantes and Shakespeare weaker than it looks. The first thing to notice is that Jonson, not Shakespeare, was first connected with Cervantes, as a writer who possessed analogous values and principles.

43. Paintings Of London Based Artist Ben Johnson
The works of the London based artist Ben Johnson. This site shows the complete works of Ben Johnson.
http://benjohnsonartist.com/
Welcome to the personal website of the artist Ben Johnson.
This site is best viewed at a screen resolution setting of 1024x768 pixels or higher.
To enter the site, click here Site Map

44. Ben Jonson And His Folio
Critical analysis of several book chapters on Jonson.
http://phoenixandturtle.net/excerptmill/jonso2.htm
    Ben Jonson and his Folio By Clifford Stetner In the light of much recent study of the printed book as a defining element of the European Renaissance, the 1616 folio of Ben Jonson is receiving renewed attention. The significance of this book can be understood relative to Jonson’s psychology, to his career, to Jacobean literature, or to the history of early modern culture. Sara Van Den Berg’s chapter, "Ben Jonson and the Ideology of Authorship" and Jennifer Brady’s: "Noe Fault but Life: Jonson’s Folio as Monument and Barrier," in The 1616 Folio, edited by Brady, concentrate on Jonson’s psychological development as a poet, while David Riggs’ Ben Jonson: A Life takes a more conventional biographical approach to Jonson’s literary development. The Gypsies Metamorphosed
    The faery beam upon you,
    The stars to glister on you ;
    A moon of light,
    In the noon of night, Till the fire-drake hath o'ergone you !
    The wheel of fortune guide you,
    The boy with the bow beside you ;
    Run aye in the way

45. [EMLS SI 7 (May, 2001): 8.1-51] "The Strangest Pageant, Fashion'd Like A Court":
William F. Blissett suggests that a Jonson reference to a Dr. Done . . . encourages a consideration of the parallel literary lives of Jonson and Donne.
http://extra.shu.ac.uk/emls/si-07/blissett.htm
"The strangest pageant, fashion'd like a court": John Donne and Ben Jonson to 1600 Parallel Lives
William F. Blissett
University of Toronto Blissett, William F. "'The strangest pageant, fashion'd like a court': John Donne and Ben Jonson to 1600 Parallel Lives." Early Modern Literary Studies http://purl.oclc.org/emls/si-07/blissett.htm
  • Criticus: that was the name Ben Jonson chose for the judging figure in The Fountain of Selfe-Love, or Cynthia's Revels , acted in 1600 and published in quarto in 1601. In the folio of 1616 he reversed title and subtitle and, repeating a phrase he had devised for Every Man Out of his Humour (1600), called it and Poetaster "comicall satyres." For consistency with other characters' Greek names (except Mercury and Cupid), he changed the Latin Criticus to the Greek Crites . The figure is generally regarded as a spokesman for the author and often as an idealized self-portrait, laying Jonson open to the charge of having himself drunk of the fountain of self-love. Addressing his readers in the quarto of Sejanus (1605), Jonson mentions his "Observations upon Horace his Art of Poetry, which (with the text translated) I intend, shortly to publish." This publication did not take place, and indeed only the translation appeared, after Jonson's death. In the
  • 46. Soundings - 98.11.25
    An introduction to Jonson s My Picture Left in Scotland by Robert Pinsky. Includes Real Audio clips of readings of the poem by Pinsky, David Ferry, and Gail Mazur.
    http://www.theatlantic.com/unbound/poetry/soundings/jonson.htm
    Click on the names below to hear these poets read "My Picture Left in Scotland" (in RealAudio
    (For help, see a note about the audio
    Previously in Soundings:
    Walt Whitman, "As I Ebb'd with the Ocean of Life"
    (October 8, 1998)

    Frank Bidart, Marie Howe, and Galway Kinnell read Whitman's stunning poem of self-doubt. With an introduction by Steven Cramer.
    W. B. Yeats, "Easter 1916"
    (February 4, 1998)
    Richard Wilbur, Philip Levine, and Peter Davison give voice to one of the century's greatest poems. The first installment in a series of classic-poetry readings by contemporary poets, with an introduction by David Barber.
    Hear more poetry readings in An Audible Anthology
    Go to Atlantic Unbound 's Poetry Pages
    Join a conversation on poets and poetry in
    Introduction by Robert Pinsky November 25, 1998 Ben Jonson W hat is a line of poetry? To put the question more precisely, what vocal reality underlies the typographical convention of stopping at the right margin and returning to the left margin? ( Versus in Latin, from which the word "verse" derives, signifies the ploughman at the end of a furrow turning about to begin again, so that "verse" and "reverse" are closely related.) Here is a poem that seems particularly conscious of its own lines. The author, Ben Jonson (1572-1637), conveys in his title that a lady to whom he has given his picture (no small gift, in the days before photography) subsequently left that gift in Scotland (a wild, remote place, to a Londoner of the time no small distance to leave any valued object behind). In response, Jonson writes:

    47. Ben Jonson
    Biography of the playwright, plus links to all of his works currently in print.
    http://www.imagi-nation.com/moonstruck/clsc11.htm
    BEN JONSON (1572-1637) Born in London in 1573, Ben Jonson would be no stranger to tragedy. His Protestant fatherwho had been imprisoned and deprived of his estate during the Catholic reign of Mary Tudorhad died only a month earlier, and his mother, left penniless and with no means of supporting her young son, was forced to marry a bricklayer. But despite these tragic beginnings, it was for his humor that Ben Jonson would be known. At Westminster school, the scholar Camden recognized Jonson's exceptional literary gifts and took the young man under his tutelage. Though Jonson never received a university education, Camden's instruction proved more than adequate. He became one of the most learned men of Elizabethan times and eventually received honorary degrees from both universities. Perhaps in remembrance of his father, Jonson enlisted with the English supporters of the Protestant Hollanders who were defending their religious and political liberties against Catholicism and Spanish rule. The fiery young poet proved to be as formidable with the sword as he was with the pen. In one particular act of bravado, he advanced before the English volunteers, challenged a Spaniard to single combat, slew him, and thenin classic Homeric traditionstripped the corpse of its armor. In 1592, he returned to London and married a woman whom he would later describe as "a shrew, yet honest." In 1596, she gave birth to a son whom Jonson called his "best piece of poetry." He was devestated when the young boy was struck down with the plague at the age of seven.

    48. Johnson, Ben - GGDP Library Special Collections - Georgia State
    Public Figures Ben Johnson. Johnson, Ben Interviewed by Clifford Kuhn March 13, 1992 Box B5, Folder 1; 44 pp. Ben Johnson was the first dean of the Georgia State University
    http://www.library.gsu.edu/spcoll/pages/pages.asp?ldID=105&guideID=551&I

    49. Ben Jonson. Eliot, T. S. 1920. The Sacred Wood
    Essay by T.S. Eliot from The Sacred Wood.
    http://www.bartleby.com/200/sw10.html
    Select Search World Factbook Roget's Int'l Thesaurus Bartlett's Quotations Respectfully Quoted Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Nonfiction T.S. Eliot The Sacred Wood PREVIOUS ... BIBLIOGRAPHIC RECORD
    T.S. Eliot The Sacred Wood: Essays on Poetry and Criticism.
    Ben Jonson
    T HE Yet there are possibilities for Jonson even now. We have no difficulty in seeing what brought him to this pass; how, in contrast, not with Shakespeare, but with Marlowe, Webster, Donne, Beaumont, and Fletcher, he has been paid out with reputation instead of enjoyment. He is no less a poet than these men, but his poetry is of the surface. Poetry of the surface cannot be understood without study; for to deal with the surface of life, as Jonson dealt with it, is to deal so deliberately that we too must be deliberate, in order to understand. Shakespeare, and smaller men also, are in the end more difficult, but they offer something at the start to encourage the student or to satisfy those who want nothing more; they are suggestive, evocative, a phrase, a voice; they offer poetry in detail as well as in design. So does Dante offer something, a phrase everywhere (

    50. Johnson Ben - LinkedIn
    View johnson ben's professional profile on LinkedIn. LinkedIn is the world's largest business network, helping professionals like johnson ben discover inside connections to
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    51. Encyclopædia Britannica's Guide To Shakespeare
    Historical culture, biography, short bibliography.
    http://search.eb.com/shakespeare/micro/306/38.html

    52. Jonson, Ben (1572–1637) | Jonson, Ben (1572–1637) Information | HighBeam Res
    Jonson, Ben (1572–1637) Research Jonson, Ben (1572–1637) articles at HighBeam.com. Find information, facts and related newspaper, magazine and journal articles in
    http://www.highbeam.com/doc/1G2-3404900579.html

    53. In Search Of Shakespeare . Ben Jonson | PBS
    A brief biography, images from theatrical productions, links to key historical references.
    http://www.pbs.org/shakespeare/players/player30.html
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    Ben Jonson
    Jonson became an actor after serving in the army in the Netherlands. By all accounts, he was not a very good actor, but during his time with Pembroke's Men he co-authored a play, "Isle of Dogs," with Nashe. The play, accused of spreading sedition , would lead to one of many brushes with the State, and he was imprisoned for some months. Jonson wrote for the Admiral's Men until 1856, when a quarrel with Gabriel Spencer, one of the company's leading players, led to a duel. Spencer was killed and Jonson only spared execution by drawing on his knowledge of Latin to invoke the benefit of the clergy, which enabled the convicted criminal to pass as a clergyman, and therefore obtain a discharge from the civil courts. It is believed that while in Newgate Prison he converted to Roman Catholicism , and here was branded on his thumb with the "T" for Tyburn (the most famous place of execution in London after the Tower) to ever more remind him of his lucky escape.

    54. Johnson, Ben: Information From Answers.com
    Quotes No man is so foolish but he may sometimes give another good counsel, and no man so wise that he may not easily err if he takes no other counsel than his own. He
    http://www.answers.com/topic/johnson-ben

    55. Jonson. Excerpt From Oberon, The Fairy Prince
    From the Luminarium.
    http://www.luminarium.org/sevenlit/jonson/oberon.htm
    Excerpt from
    Oberon, the Fairy Prince
    A Masque of Prince Henry's
    By Ben Jonson
    SILENUS
    Stay, the cheerful Chanticlere
    Tells you that the time is near:
    See the gates already spread!
    Every satyr bow his head.
    There the whole palace opened, and the nation of Fays were discovered, some with instruments, some bearing lights, others singing; and within, afar off in perspective, the knights masquers sitting in their several sieges. At the further end of all, Oberon, in a chariot which to a loud triumphal music began to move forward, drawn by two white bears, and on either side guarded by three Sylvans, with one going in front.
    Song
    Melt earth to sea, sea flow to air, And air fly into fire, Whilst we in tunes to Arthur's chair Bear Oberon's desire; Than which there can be nothing higher, Save JAMES, to whom it flies: But he the wonder is of tongues, of ears, of eyes. Who hath not heard, who hath not seen, Who hath not sung his name? The soul that hath not, hath not been, But is the very same With buried sloth, and knows not fame, Which him doth best comprise: For he the wonder is of tongues, of ears, of eyes.

    56. Johnson, Ben - San Diego, CA - Beauty Salon In San Diego
    4663 Park Boulevard, San Diego, CA, 921162632. Phone (619) 294-3808. Category Beauty Salons. View detailed profile, contacts, maps, reports and more.
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    57. Poets' Corner - Index Of Poets - Letters I, J
    Selected poems of Ben Jonson.
    http://www.theotherpages.org/poems/poem-ij.html
    Poets: A B C D E F G H ... Other
    Detailed Poets' Index Condensed Poets' Index
    Poets 'I' Poets 'J'

    58. Johnson Ben | Facebook
    Benjamin Jonson (c. June 11, 1572 – August 6, 1637) was an English Renaissance dramatist, poet, and actor. Ben Jonson lived during the age of William Shakespeare and proved
    http://www.facebook.com/people/Johnson-Ben/100001061631425
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    Add Johnson Ben as Friend ... View Johnson Ben's Friends Here are some of Johnson Ben's friends: Angel Lopez Charlyn Barcenil la Rhea Pasaylo ... Kim Chiu Johnson Ben likes: Other Television Movies Music Facebook Directory A B C D ... Z Facebook © 2010 Mobile Find Friends Badges About ... Help

    59. DayPoems: Ben Jonson Index
    Selected poems A Farewell to the World, An Elegy, A Part of an Ode, Hymn to Diana, On Elizabeth L. H., On Salathiel Pavy, Simplex Munditiis, The Noble Balm, The Shadow, The Triumph, To Celia.
    http://www.daypoems.net/poets/56.html

    60. Johnson, Ben
    As artists we have the ability to change the way that people perceive things in our environment, to make the invisible visible, and to visualize the unknown into reality.
    http://www.contemporarycraft.org/The_Store/Johnson,_Ben.html

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    As artists we have the ability to change the way that people perceive things in our environment, to make the invisible visible, and to visualize the unknown into reality.  My own fascination with natural occurrences that control our environment and the living organisms affect one another in our environment is the source for inspiration.  I use glass to communicate the interconnections that we cannot always see.  The material speaks as a metaphor for natural occurrences with all of its contradiction and layers of fragility, sharpness, transparency, translucency, opacity and an interior visual surface.  It is process based abstraction.  Glass flows and moves when it is hot but once it is cooled it is frozen in time.  This allows me to use natural forces such as gravity to influence my work.  Everything is affected by something else, often leaving the unfortunate images the most visible.  These images tell the stories of the natural processes of our environment.
    My limited edition works of art come from my background in ceramics and my interest in color theory, I use both of these factors to create patterns in  my decorative glass that not only reveal layers within the glass but create a surface texture that is unique to my work.  I also make one of a kind sculpture in glass but create a surface texture that is unique to my work.  I also make one of a kind sculpture in glass which comes from my own fascinations with natural occurrences that control our environment and the way living organisms affect one another in our environment.  These unique works have been shown in a number of juried exhibitions at such places as the Cleveland Museum of Art and The Society for Contemporary Craft.

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