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         Copland Aaron:     more books (104)
  1. What to Listen for in Music by Aaron Copland, 1957
  2. The Dickinson Songs of Aaron Copland (Cms Sourcebooks in American Music) by Larry Starr, Michael J. Budds, 2003-10
  3. Copland: Since 1943 by Aaron Copland, Vivian Perlis, 1999-04-28
  4. The Music of Aaron Copland by Neil Butterworth, Neil Butterworth, 1985-06-18
  5. Charles Ives and Aaron Copland - A Listener's Guide: Parallel Lives Series, No. 1 Their Lives and Their Music by Daniel Felsenfeld, 2004-11-01
  6. Aaron Copland, his life by Catherine Owens Peare, 1969
  7. Music and Imagination by Aaron Copland, 1959-01-01
  8. Appalachian Spring by Aaron Copland, 2010-01-01
  9. Old American Songs (Second Set) by Aaron Copland, 1954
  10. Appalacian Spring Suite: Transcribed for Solo Piano (BH Piano) by Bryan Stanley, 2007-10-01
  11. Completely Copland: The New York Philharmonic Celebrates Aaron Copland
  12. Aaron Copland, a Complete Catalogue of His Works by Editor, 1960
  13. Aaron Copland, his work and contribution to American music by Julia Smith, 1955
  14. Aaron Copland: A Bio-Bibliography (Bio-Bibliographies in Music) by JoAnn Skowronski, 1985-05-21

21. Aaron Copland - Classical Archives
Works and biography from the Concise Oxford Dictionary of Music.
http://www.classicalarchives.com/composer/5585.html

22. Copland, Aaron - Astro-Databank, Aaron Copland Horoscope, Born 14 November 1900
Astrology data, biography and horoscope chart of Aaron Copland born on 14 November 1900 Brooklyn NY, USA
http://www.astro.com/astro-databank/Copland,_Aaron
Copland, Aaron
From Astro-Databank
Jump to: navigation search Aaron Copland natal chart (Placidus) natal chart English style (Equal houses) Aaron Copland Name Copland, Aaron Gender : M born on 14 November 1900 at 00:15 (= 12:15 AM ) Place Brooklyn NY, USA, Timezone EST h5w (is standard time) Data source Orig source not known Rodden Rating C Astrology data Asc. add Aaron Copland to 'my astro'
Biography
American musician and composer, a concert pianist and conductor. Bright, open and spacious, Copland's works captured the sweep, sinew and soul of America. Throughout his career, he helped young composers by teaching them at Tanglewood for 25-years and by persuading performers to play their works. His work include the opera "The Tender Land," 1954, Canticle of Freedom," 1955, "Dance Panels" for small orchestras, 1959 and "Duo for Flute and Piano," 1971. "Inscape," with its contrast of violent chords and haunting lyricism, was his last major score, in 1967. He was awarded an Oscar for the film score of "The Heiress," 1949. (He was a brilliant spokesperson for American music in books and lectures.) (Born to immigrant East European Jews, he tutored under the atelier of Nadia Boulanger. Meeting her at age 20 while in Paris, he learned everything in those three years before returning home at age 23.)

23. Copland, Aaron
Simply put, Aaron Copland is one of the most important composers of the twentieth century. He codified a concert music sound that was distinctly American, and singlehandedly
http://www.naxosvideolibrary.com/person/27127/
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        Copland, Aaron
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        Simply put, Aaron Copland is one of the most important composers of the twentieth century. He codified a concert music sound that was distinctly "American," and single-handedly created a generous path for composers in his native land, bringing to "the new world" what was mostly, up until that point, an imported and exclusively European art form. He lived a long and productive life, one that spanned almost the entire century, and worked not only as a composer, but as a conductor, pianist, teacher, author, concert promoter and generous friend to music. His parents immigrated from Poland and Lithuania to New York City in their adolescence; Aaron was their fifth child, born in 1900. He was gifted at the piano, studying with Victor Wittgenstein and Clarence Adler. He took lessons in harmony and counterpoint with Goldmark, an old-fashioned teacher who was dedicated to Beethoven and Fux, and against whom Copland rebelled, as children do, becoming enamoured of Scriabin, Debussy and Ives (whom Goldmark called "dangerous"). Eventually, when he was twenty, the young composer-to-be set sail for Paris and the tutelage of Nadia Boulanger. Under Boulanger Copland began to write his first full-fledged pieces, as well as keeping an involved notebook of musical ideas, an example of his legendary parsimonious nature, always thrifty with everything, especially notes. Using the new knowledge his teacher had imparted to him about Stravinsky, he also cultivated an interest in Jazz, mostly as seen through the eyes of the French, though he did have some knowledge of it from his time in New York. When he returned to America, it was with the score to a ballet called Grohg, along with sketches that would become the Symphonic Ode and Music for the Theatre in his satchel. He had begun to find his voice.

24. Copland, Aaron
Aaron Copland (November 14, 1900 – December 2, 1990) was an American classical composer of concert and film music. Instrumental in forging a distinctly American style of
http://www.newworldencyclopedia.org/entry/Aaron_Copland
Copland, Aaron
From New World Encyclopedia
Jump to: navigation search Previous (Aaron Burr) Next (Aaron ben Elijah) Aaron Copland
Background information Birth name Aaron Copland Born November 14, 1900, Brooklyn, New York City United States Died December 2, 1990, New York City, New York Occupation(s) Composer Pianist Composer
Piano Aaron Copland (November 14, 1900 – December 2, 1990) was an American classical composer of concert and film music . Instrumental in forging a distinctly American style of composition, he was widely known as "the dean of American composers." Copland's music achieved a difficult balance between modern music and American folk styles. The open, slowly changing harmonies of many of his works are said to evoke the vast American landscape. He incorporated percussive orchestration, changing meters, polyrhythms, polychords, and tone rows. Outside of composing, Copland often served as a teacher and lecturer. During his career he also wrote books and articles, and served as a conductor, most frequently for his own works. Much of the greatness of Copland's art is due to the ways he synthesized various musical styles, idioms and conventions. His early works were influenced by jazz, in which he fused its divergent style with modern and classical forms to create a highly expressive compositional syntax. In his mature works he did not merely quote a folk melody, but rather infused its qualities throughout the melodic, rhythmic and harmonic properties of the piece.

25. Copland Aaron – Free Listening, Concerts, Stats, & Pictures At Last.fm
Top tracks from Copland Aaron Quiet City, Rodeo 1. Buckaroo Holiday more. Clasica. People who like Copland Aaron also like Elgar Edward, Bantock, Allegri Gregorio.
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26. Featured Subject: Aaron Copland
Kentucky Educational Television s distance learning program presents music and book reviews and articles by and about him from the archives of The New York Times.
http://www.dl.ket.org/humanities/music/copland.htm
Featured Subject: Aaron Copland
With News and Reviews From the Archives of The New York Times In This Feature
  • Reviews of Aaron Copland's Music
  • Reviews of Aaron Copland's Books
  • Articles About Aaron Copland
  • Articles by Aaron Copland Audio
  • Excerpts From the Music of Aaron Copland Related Links
  • John Rockwell Reviews Howard Pollack's 'Aaron Copland' (March 14, 1999)
  • First Chapter: 'Aaron Copland'
    The Associated Press Aaron Copland in 1956. REVIEWS OF AARON COPLAND'S MUSIC:
  • Copland Gives First of 'One-Man' Concerts (October 12, 1935)
    An all-Copland program included an early performance of "El Salon Mexico."
  • Audio Excerpt from 'El Salon Mexico'
  • 'Second Hurricane' in World Premiere (April 22, 1937)
    "Copland's musical efforts were largely confined to choral numbers and these, with their lack of melodic inspiration, their constant repetition of empty, dry phrases, soon grew wearisome, especially as they wanted mood with few exceptions and merely halted the action."
  • Copland 'Short Symphony' Has Premiere Here (January 10, 1944)
    "In more recent years Mr. Copland has chosen to write in a much simpler and more direct manner . . . The symphony, being both abstract and in the less effective early style, cannot be reckoned among its composer's important contributions to the literature."
  • 27. SPECTRUM Biographies - Aaron Copland
    Researched by Rachel Sahlman for the home and school magazine. Includes premium links to purchase books and recordings.
    http://www.incwell.com/Biographies/Copland.html
    Aaron Copland
    "Fanfare for the Common Man" Researcher: Rachel Sahlman Artist: Dick Strandberg
    Aaron Copland, one of America's greatest composers, was the fifth child born into a family of Russian-Jewish immigrants in Brooklyn, New York. He was born on November 14, 1900. However, it was not until he reached his teens that Copland began to show an interest in music. He learned to play the piano from his older sister Laurine, and in less than one year, Copland had learned everything she could teach him. Following much pestering of his father, Copland was allowed to take formal lessons. After attending his first concert at age 15, Copland decided to become a composer. Upon graduating high school, Copland studied harmony and counterpoint through a correspondence course, a very difficult way to learn music. He was then referred to Rubin Goldmark, who was a specialist in harmony. Copland dreamt of studying music in France, and for the next several years, he saved his money and continued to practice. In 1920, Copland was granted a scholarship, and in the summer of 1921, he traveled to the American Conservatory at Fontainebleau. In France, Copland studied with Nadia Boulanger and became her first American student in composition. Copland studied in France for three years, then returned to New York with a commission from his teacher. While working as a pianist in a Pennsylvania resort, Copland composed the Symphony for Organ and Orchestra, for Boulanger's American appearances. The work premiered at Carnegie Hall with the New York Symphony Orchestra, under conductor Walter Damrosch.

    28. Aaron Copland — Infoplease.com
    Encyclopedia Copland, Aaron. Copland, Aaron (kōp'l u nd) , 1900 – 1990, American composer, b. Brooklyn, N.Y. Copland was a pupil of Rubin Goldmark and of Nadia Boulanger
    http://www.infoplease.com/ce6/people/A0813471.html

    29. Aaron Copland | American Composer
    Lucidcaf s profile includes a biography, related links, and book and recording recommendations.
    http://www.lucidcafe.com/lucidcafe/library/95nov/copland.html
    Resources Menu Coffee Library Gallery
    Aaron Copland
    American Composer
    Inspiration may be a form of super-consciousness, or
    sure it is the antithesis of self-consciousness. Aaron Copland was born on November 14, 1900 in New York City. His musical works ranged from ballet and orchestral music to choral music and movie scores. For the better part of four decades Aaron Copland was considered the premier American composer.
    Copland learned to play piano from an older sister. By the time he was fifteen he had decided to become a composer. His first tentative steps included a correspondence course in writing harmony. In 1921 Copland traveled to Paris to attend the newly founded music school for Americans at Fontainebleau. He was the first American student of the brilliant teacher, Nadia Boulanger . After three years in Paris he returned to New York with his first major commission, writing an organ concerto for the American appearances of Madame Boulanger. His "Symphony for Organ and Orchestra" premiered in at Carnegie Hall in 1925.

    30. Copland, Aaron | Define Copland, Aaron At Dictionary.com
    Cultural Dictionary Copland, Aaron ( kohp luhnd) A twentieth-century composer noted for the American settings of many of his pieces. Some of his best-known works are the
    http://dictionary.reference.com/browse/Copland, Aaron

    31. The Aaron Copland Collection Ca. 1900-1990 - (American Memory From The Library O
    Library of Congress entry allows browsing by musical sketches, writings, correspondence, photographs, and title index. Includes the special presentations About Copland s Works, Timeline, An Intimate Sketch, and A 75th Birthday Tribute.
    http://memory.loc.gov/ammem/achtml/achome.html
    @import url(../../css/am15_global_ss.css); @import url(../ss/AMcoll_index_ss.css);
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    The Aaron Copland Collection ca. 1900-1990
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      Aaron Copland by candlelight, studio in the Berkshires, September, 1946
      About this image
      The Aaron Copland Collection
      ca. 1900-1990
      Overview
      The inaugural online presentation of the Aaron Copland Collection at the Library of Congress celebrates the centennial of the birth of the American composer Aaron Copland (1900-1990). The multiformat Aaron Copland Collection from which the online collection derives spans the years 1910 to 1990 and includes approximately 400,000 items documenting the multifaceted life of an extraordinary person who was composer, performer, teacher, writer, conductor, commentator, and administrator. It comprises both manuscript and printed music, personal and business correspondence, diaries, writings, scrapbooks, programs, newspaper and magazine clippings, photographs, awards, books, sound recordings, and motion pictures. The first release of the online collection contains approximately 1,000 items that yield a total of about 5,000 images. These items date from 1899 to 1981, with most from the 1920s through the 1950s, and were selected from Copland's

    32. Copland, Aaron Summary | BookRags.com
    Copland, Aaron. Copland, Aaron summary with encyclopedia entries, research information, and more.
    http://www.bookrags.com/eb/copland-aaron-eb/

    33. Aaron Copland - About The Composer | American Masters
    Summary of PBS show with links to connected artists and additional sites.
    http://www.pbs.org/wnet/americanmasters/database/copland_a.html
    document.write(unescape("%3Cscript src='" + (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js' %3E%3C/script%3E"));
    • Home Episodes July 11th, 2005 Aaron Copland About the Composer Copland was born in Brooklyn, New York, on November 14, 1900. The child of Jewish immigrants from Lithuania, he first learned to play the piano from his older sister. At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music. He found, however, that like many other young musicians, he was attracted to the classical history and musicians of Europe. So, at the age of twenty, he left New York for the Summer School of Music for American Students at Fountainebleau, France. Martha Graham Connected artists: Related Web sites:

    34. Copland, Aaron (1900-1990) Summary | BookRags.com
    Copland, Aaron (19001990). Copland, Aaron (1900-1990) summary with 2 pages of encyclopedia entries, research information, and more.
    http://www.bookrags.com/research/copland-aaron-1900-1990-sjpc-01/

    35. Aaron Copland (The Lied And Art Song Texts Page: Texts And Translations To Liede
    Entry at the Lied and Art Songs Text Pages listing cycles and individual vocal works with links to public domain texts.
    http://www.recmusic.org/lieder/c/copland.html
    The Lied, Art Song, and Choral Texts Page Contents Home Introduction What's new FAQ and Links ... Sign Guestbook Utilities Search entire website Search by: Surname First Line Title Year ... Random Text Indexes by Composer by Poet by First Line by Title by Language Credits Created and maintained by
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    Composer: Aaron Copland (1900-1990)
    Alphabetic listing of musical settings [warning - not necessarily comprehensive]
    [x] indicates a placeholder for a text that is not yet in the database
    Song Cycles, Symphonies, etc.

    36. Copland, Aaron - Hutchinson Encyclopedia Article About Copland, Aaron
    Copland, Aaron (1900–1990) US composer. His early works, such as his piano concerto (1926), were in the jazz style but he gradually developed a gentler style with a regional
    http://encyclopedia.farlex.com/Copland, Aaron

    37. Aaron Copland - IMDb
    Filmography at IMDb with brief biography, Oscar awards and nominations, and composer, actor, lyricist, and musical director credits from film and television.
    http://us.imdb.com/name/nm0178716/
    IMDb Search All Titles TV Episodes Names Companies Keywords Characters Videos Quotes Bios Plots Go More Register Login Help ... More at IMDbPro
    Aaron Copland
    Soundtrack Composer Music Department Aaron Copland is an Academy Award-winning composer ( The Heiress ), author, conductor, lecturer and educator. He was educated at public schools and was a music student of his sister and later Leopold Wolfson, Victor Wittgenstein, Clarence Adler, Rubin Goldmark and Nadia Boulanger . In 1925, he received the first Guggenheim fellowship awarded to a composer... See full bio
    Born:
    November 14 in New York City, New York, USA
    Died:
    December 2 (age 90) in North Tarrytown, New York, USA 2 videos 10 news articles Won Oscar. Another 6 nominations See more awards
    Known For
    Saving Private Ryan (1998) Raging Bull (1980) Drop Dead Gorgeous (1999) He Got Game (1998)
    Show all Hide all Show by: Job Type Year Ratings Votes TV Series Genre Keyword
    Filmography
    Jump to: Soundtrack Composer Self Archive Footage Hide Show Soundtrack (20 titles) (TV mini-series documentary) Great Nature: 1933-1945 Going Home: 1920-1933 Asia: Fantasia - Live in Tokyo The Ultimate Gift ... The Simpsons (TV series) The Seemingly Never-Ending Story Top Ten (TV series documentary) Prog Rock 2000/I Ready to Rumble Drop Dead Gorgeous Saving Private Ryan He Got Game ... Great Railway Journeys of the World (TV series documentary) Coast to Coast Bernstein in London Brother Can You Spare a Dime Omnibus (TV series) Billy the Kid Rodeo Fiesta The North Star Hide Show Composer (13 titles) Crimen a fondo Something Wild (TV movie)

    38. Copland, Aaron Free Music Downloads, Ringtones, Midis, Sheet Music!
    Copland, Aaron Midis 5. Classical MIDIs and Ringtones at Laura's MIDI Heaven - laurasmidiheaven.com
    http://www.laurasmidiheaven.com/Classical-Copland-Aaron.shtml

    39. BBC - BBC Four - Audio Interviews - Aaron Copland
    Extracts from a 1961 BBC Four interview in RAM audio format. Includes photograph, brief biography, key works, and links.
    http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/coplanda1.shtml
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    Aaron Copland 1900 - 1990 New Comment
    7 July 1961 Third Programme
    Aaron Copland talks to Jeremy Noble about "serious" composers using contemporary music 1 min 36 the influence of jazz in his music, why no improvisation 1 min 13 writing the film score for "Something Wild" starring Carol Baker, the nature of writing music for films 1 min 7 the synthesiser, electronic music and its effect on the nature of sound 2 min 58 You will need RealPlayer to access these clips. Visit WebWise for help downloading RealPlayer Aaron Copland American composer Copland "showed the world how to write classical music in an American way". Made up of simple harmonies, folk melodies and straightforward orchestration, his works include the Pulitzer Prize winning ballet music, Appalachian Spring Read more About the BBC Help

    40. Classical Net Review - Pollack - Aaron Copland: The Life And Work Of An Uncommon
    Classical Net review of the 1999 book by Howard Pollack with commentary on the author, the subject, and the writing itself.
    http://www.classical.net/music/books/reviews/0805049096a.html
    The Internet's Premier Classical Music Source
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    Book Review
    Aaron Copland
    The Life And Work Of An Uncommon Man
    Howard Pollack
    NY: Holt, 1999. 690 pp.
    ISBN: 0805049096 Paperback: Amazon UK Germany Canada ... Japan This joins other fine recent, substantial and well-balanced biographies of 20 th Century composers: Barbara Heyman's of Barber, Tommasini's of Thomson, Burton's of Bernstein, and Carpenter's of Britten. (I am still waiting for someone to publish a good biography of Schuman.) Pollack's study of Copland's life and music is outstanding among these, in fact exemplary as a composer's biography, because he gives the music equal billing with the life. Unusually, the compositions are discussed in strict chronological order, whereas the person is presented thematically. Pollack's previously published writing includes Harvard Composers: Walter Piston And His Students, From Elliott Carter To Frederic Rzewski

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